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Conquistadors Diego de Amagro and Francisco Pizarro reconciled at Castille (woodcut)

Conquistadors Diego de Amagro and Francisco Pizarro reconciled at Castille (woodcut)


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Conquistadors Diego de Amagro and Francisco Pizarro reconciled at Castille (woodcut)

XJF425616 Conquistadors Diego de Amagro and Francisco Pizarro reconciled at Castille (woodcut) by Poma de Ayala, Felipe Huaman (1526-1613); Private Collection; (add.info.: Diego del Amagro (c.1475-1538) known as El Adelantado and El Viejo, Spanish conquistador; Francisco Pizarro Gonzalez (c.1471-1541) Sapnish conquistador; from The First New Chronicle and Good Government, El Primer Nueva Cronica y Buen Gobierno ; ); Peruvian, out of copyright

Media ID 12805259

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Americas Banner Colonization Conquest Inca Incas Lance Peru


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EDITORS COMMENTS
The woodcut print captures a historic moment of reconciliation between two prominent conquistadors, Diego de Amagro and Francisco Pizarro, at Castille. The image depicts the meeting of these Spanish conquerors against a backdrop of knightly armor, banners, and flags. Both men played significant roles in the conquest and colonization of South America, particularly Peru. Diego del Amagro, also known as El Adelantado and El Viejo, was an experienced conquistador who joined forces with Pizarro to explore and conquer new territories. Despite their initial partnership, tensions arose between them over territorial disputes which led to armed conflict. However, this woodcut print signifies a pivotal moment when these two influential figures put aside their differences for the greater cause. It symbolizes not only a personal reconciliation but also represents the unification of their efforts towards achieving good governance in newly conquered lands. Created by Felipe Huaman Poma de Ayala (1526-1613), this artwork is part of "The First New Chronicle and Good Government" or "El Primer Nueva Cronica y Buen Gobierno". This historical document provides valuable insights into the conquests made by European powers during colonial times. This woodcut print serves as a reminder of both the triumphs and complexities associated with conquests like those undertaken by Amagro and Pizarro in South America during that era.

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