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Portrait of Jean Henri Masers, Knight of Latude (1725-1805) He points to the destruction of the fortress of the Bastille where he was imprisoned for an attempt to attack Madame de Pompadour (Marquise de Pompadour)
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Portrait of Jean Henri Masers, Knight of Latude (1725-1805) He points to the destruction of the fortress of the Bastille where he was imprisoned for an attempt to attack Madame de Pompadour (Marquise de Pompadour)
JLJ4646708 Portrait of Jean Henri Masers, Knight of Latude (1725-1805) He points to the destruction of the fortress of the Bastille where he was imprisoned for an attempt to attack Madame de Pompadour (Marquise de Pompadour). Painting by Antoine Vestier (1740-1824) 1789 Paris, musee Carnavalet - Portrait of Jean Henri Masers, Chevalier de Latude (1725-1805), called Danry, showing with his finger the demolition of the Bastille Fortress where he was imprisoned for an assassination attempt against Madame de Pompadour (Marquise de Pompadour). Painting by Antoine Vestier (1740-1824), 1789. Carnavalet Museum, Paris by Vestier, Antoine (1740-1824); Musee de la Ville de Paris, Musee Carnavalet, Paris, France; (add.info.: Portrait of Jean Henri Masers, Knight of Latude (1725-1805) He points to the destruction of the fortress of the Bastille where he was imprisoned for an attempt to attack Madame de Pompadour (Marquise de Pompadour). Painting by Antoine Vestier (1740-1824) 1789 Paris, musee Carnavalet - Portrait of Jean Henri Masers, Chevalier de Latude (1725-1805), called Danry, showing with his finger the demolition of the Bastille Fortress where he was imprisoned for an assassination attempt against Madame de Pompadour (Marquise de Pompadour). Painting by Antoine Vestier (1740-1824), 1789. Carnavalet Museum, Paris); Photo © Photo Josse
Media ID 25896614
© Josse / Bridgeman Images
Bastille Chevalier Edifice Francaise Jail Noblesse Prison Revolution 1789 Revolution Francaise French Revolution Peinture
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EDITORS COMMENTS
In this portrait, we see Jean Henri Masers, Knight of Latude (1725-1805), pointing towards the ruins of the infamous Bastille fortress. Painted by Antoine Vestier in 1789, this artwork captures a significant moment in history. Masers, also known as Danry, was imprisoned within the walls of the Bastille for his audacious attempt to attack Madame de Pompadour (Marquise de Pompadour). His outstretched finger serves as a powerful symbol of defiance and triumph over adversity. It is evident that he takes pride in witnessing the destruction of his former place of confinement. The painting skillfully portrays Masers' determination and resilience. Despite enduring years of imprisonment and facing an assassination charge against one of France's most influential figures at that time, he emerges from his ordeal with unwavering strength. His gaze reflects both bitterness and satisfaction – bitter memories intertwined with satisfaction derived from seeing justice served. Antoine Vestier masterfully captures every detail in this composition; from Masers' intense expression to the intricate textures adorning his attire. The artist's choice to depict him against a dark background further emphasizes the gravity and significance surrounding this historical event. Displayed at Musee Carnavalet in Paris, this painting stands as a testament to human spirit and perseverance. It reminds us that even amidst great adversity, there is always hope for liberation and redemption.
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