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View of old Parisian houses looking towards the Pont St. Michel, c. 1851 (calotype photo)
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View of old Parisian houses looking towards the Pont St. Michel, c. 1851 (calotype photo)
CHT289180 View of old Parisian houses looking towards the Pont St.Michel, c.1851 (calotype photo) by Le Secq, Henri Jean-Louis (1818-82); Bibliotheque des Arts Decoratifs, Paris, France; (add.info.: Vieilles maisons vers le Pont Saint-Michel; on the 1st floor the Paris Morgue; Ile de la Cite; ); eArchives Charmet; French, out of copyright
Media ID 23375212
© Archives Charmet / Bridgeman Images
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This black and white calotype photo, taken by Henri Jean-Louis Le Secq in 1851, offers a mesmerizing glimpse into the old Parisian houses that once graced the city's landscape. The view is directed towards the iconic Pont St. Michel, which stands majestically over the River Seine. As we delve into this historical snapshot, our eyes are drawn to the intricate details of each building, showcasing their unique architectural styles and charming facades. These aged structures seem to whisper stories of a bygone era, evoking a sense of nostalgia for a Paris long past. Notably, on the first floor of one of these buildings lies an intriguing establishment - the Paris Morgue. This macabre detail adds an eerie touch to an otherwise picturesque scene and invites us to ponder upon its significance within this bustling cityscape. The composition beautifully captures both grandeur and simplicity as it frames these old houses against the backdrop of flowing water. The calmness of the river contrasts with the vibrant energy emanating from within these walls. Le Secq's mastery in calotype photography shines through as he expertly plays with light and shadow to create depth and texture in his image. Each element seems meticulously placed; every line tells a story waiting to be discovered. This print serves as a precious window into a time when horse-drawn carriages traversed cobblestone streets while locals went about their daily lives amidst this enchanting urban tapestry. It reminds us that even though
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