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What did you do before being unemployed ? I was a striker, front cover illustration of Le Rire, 14th January 1933 (colour litho)

What did you do before being unemployed ? I was a striker, front cover illustration of Le Rire, 14th January 1933 (colour litho)


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What did you do before being unemployed ? I was a striker, front cover illustration of Le Rire, 14th January 1933 (colour litho)

CHT383154 What did you do before being unemployed ? I was a striker, front cover illustration of Le Rire, 14th January 1933 (colour litho) by Falke, Pierre (1884-1947); Private Collection; (add.info.: qu est-ce que tu faisais avant d etre chomeur, j etais greviste ; eau de Seltz; ); © Archives Charmet

Media ID 25169100

© Archives Charmet / Bridgeman Images

Bottle Cafe Cynical Lover Restaurant Soda Stylish Lovers Profiteer Profiteering Seltzer


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EDITORS COMMENTS
The vibrant and satirical front cover illustration of Le Rire, dated 14th January 1933, captures the essence of the era with its stylish and fashionable portrayal. Created by Pierre Falke, this colour lithograph showcases a couple sitting in a café, engaging in a conversation that reflects the harsh reality of unemployment. The caption "What did you do before being unemployed? I was a striker" adds depth to the image as it highlights the struggles faced by individuals during this time. The male figure is depicted as an elegant and cynical character while holding a bottle of eau de Seltz, symbolizing both luxury and irony. This artwork not only represents the profiteering nature prevalent in society but also conveys themes of love and relationships amidst challenging circumstances. The female figure exudes elegance while her lover sits beside her, suggesting their bond remains strong despite their current predicament. Falke's attention to detail is evident in his depiction of fashion trends from the 1930s. The couple's attire reflects the sophistication associated with that period. Additionally, elements such as soda bottles on their table further emphasize societal norms at that time. Overall, this piece serves as a reminder of historical events within early twentieth-century France. It encapsulates both social commentary and artistic expression through its use of satire and symbolism.

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