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The Three Witches, The Liberal Government of Asquith, Lloyd George and Churchill plots to transform the British Constitution, 1909 (litho)
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The Three Witches, The Liberal Government of Asquith, Lloyd George and Churchill plots to transform the British Constitution, 1909 (litho)
KDC400208 The Three Witches, The Liberal Government of Asquith, Lloyd George and Churchill plots to transform the British Constitution, 1909 (litho) by Partridge, Bernard John (1861-1945); Private Collection; (add.info.: The Liberals prepare the magic brew to reform the British constitution by abolishing the veto of the House of Lords on finance bills; Herbert Henry Asquith (1852-1928) Prime Minister 1908-1916; David Lloyd George (1863-1945) Chancellor of the Exchequer 1908-1915; Winston Churchill (1874-1965) President of the Board of Trade 1908-1910; caricature from Punch magazine April 13, 1910; ); English, out of copyright
Media ID 25213722
© Bridgeman Images
Cauldron Change Constitution House Of Lords Liberals Macbeth Peers Plot Plotting Power Powers Reform Curb Curbing
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EDITORS COMMENTS
The Three Witches, The Liberal Government of Asquith, Lloyd George and Churchill plots to transform the British Constitution, 1909 (litho) captures a pivotal moment in British history. In this intriguing lithograph by Bernard John Partridge, we witness the Liberal government's ambitious plan to reform the British constitution. Depicted as three witches brewing a magical concoction in a cauldron, Prime Minister Herbert Henry Asquith, Chancellor of the Exchequer David Lloyd George, and President of the Board of Trade Winston Churchill are shown plotting to abolish the House of Lords' veto on finance bills. This bold move aimed to curtail the power held by unelected peers and establish a more democratic system. The image draws inspiration from Shakespeare's Macbeth, where three witches foretell significant changes. Similarly, these politicians seek to reshape their nation's destiny through political maneuvering and legislative transformation. Partridge's caricature from Punch magazine reflects both humor and criticism towards this audacious plot. It highlights how these influential figures were willing to challenge established norms for what they believed would be progress for all. This print serves as an important historical artifact showcasing not only political ambition but also societal shifts during this period. It reminds us that even seemingly unchangeable institutions can face challenges when confronted with determined leaders seeking reform. As we gaze upon this artwork today, it invites contemplation about power dynamics within governance systems and encourages reflection on our own aspirations for change.
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