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The Damned in Purgatory, from the Coronation of the Virgin, completed 1454

The Damned in Purgatory, from the Coronation of the Virgin, completed 1454


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The Damned in Purgatory, from the Coronation of the Virgin, completed 1454

XIR57989 The Damned in Purgatory, from the Coronation of the Virgin, completed 1454 (oil on panel) (detail of 57626) by Quarton, Enguerrand (c.1410-66); Musee Pierre de Luxembourg, Villeneuve-les-Avignon, France; (add.info.: la Chartreuse du Val de Benediction et la resurrection des morts; Couronnement de la Vierge; mass of St. Gregory; painted for the Chartreuse de Villeneuve-les-Avignon; ); French, out of copyright

Media ID 12919544

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Afterlife Charreton Demon Devil Jester Carthusian Monastery Chapterhouse


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EDITORS COMMENTS
This print showcases a mesmerizing detail from "The Damned in Purgatory, from the Coronation of the Virgin" by Enguerrand Quarton. Completed in 1454, this oil on panel masterpiece is housed at the Musee Pierre de Luxembourg in Villeneuve-les-Avignon, France. In this particular section of the artwork, we are transported to a vivid depiction of purgatory. The artist's incredible attention to detail brings forth an eerie and haunting atmosphere. On the right-hand panel, we encounter a diverse array of tormented souls enduring their penance for sins committed during their earthly lives. Amongst these damned figures, one cannot help but be drawn to a devilish jester-like character who stands out with his mischievous grin and flamboyant attire. His presence adds an intriguing element to the scene as he seems both amused and malevolent. Engulfed by darkness and surrounded by demonic creatures, these souls await redemption or further punishment within the afterlife's realm. This painting was originally created for Chartreuse de Villeneuve-les-Avignon, specifically its chapterhouse where it would have served as a powerful reminder for contemplation and reflection among Carthusian monks. "The Damned in Purgatory" serves as an exceptional example of Quarton's mastery in capturing complex emotions through his brushwork while exploring themes of sin, salvation, and divine judgment. Through this print brought to us by Fine Art Finder via www

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