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Ms L. A. 139-Lisboa fol. 37v-38 The beast blaspheming Gods name
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Ms L. A. 139-Lisboa fol. 37v-38 The beast blaspheming Gods name
XJL195859 Ms L.A. 139-Lisboa fol.37v-38 The beast blaspheming Gods name, and the people worshipping the 3rd and 2nd beasts, from the Gulbenkian Apocalypse, c.1265-70 (vellum) by English School, (13th century); 26.8x21.7 cm; Museu Calouste Gulbenkian, Lisbon, Portugal; (add.info.: beast with head of a lamb; bringing fire down from Heaven; Book of Revelation); English, out of copyright
Media ID 23223550
© Bridgeman Images
Apocalyptic Blasphemy Bouche Demon Devil Enfer Illuminated Manuscript John The Evangelist Mandorla Mouth Of Hell Revelation Revelations Satan Subjugation Witness Worship
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This print captures a mesmerizing scene from the Gulbenkian Apocalypse, an illuminated manuscript dating back to the 13th century. Titled "Ms L. A. 139-Lisboa fol. 37v-38 The beast blaspheming Gods name" this artwork showcases the intricate details and symbolism of medieval art. In the center of the composition, we see a fearsome beast with the head of a lamb, representing false innocence and deception. With its barbed tongue and mouth wide open in blasphemy, it defies God's name while bringing fire down from Heaven. Surrounding this malevolent creature are people worshipping two other beasts, symbolizing their subjugation to evil forces. The image is filled with apocalyptic elements such as angels, demons, and even John the Evangelist witnessing this unholy spectacle. A mother holds her child close as they kneel in prayer amidst chaos and destruction. The illumination technique used in this piece enhances its ethereal quality; every detail is meticulously hand-painted on vellum. The vibrant colors contrast with dark backgrounds to create a sense of foreboding. Housed at Museu Calouste Gulbenkian in Lisbon, Portugal, this artwork serves as a testament to both religious devotion and artistic craftsmanship during medieval times. It reminds us of humanity's eternal struggle between good and evil while showcasing the enduring power of visual storytelling through illuminated manuscripts like these.
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