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La Belle Ferronniere, c. 1802-06 (black chalk and wash on paper) (b / w photo)
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La Belle Ferronniere, c. 1802-06 (black chalk and wash on paper) (b / w photo)
BI110030 La Belle Ferronniere, c.1802-06 (black chalk and wash on paper) (b/w photo) by Ingres, Jean Auguste Dominique (1780-1867); 52.5x41.8 cm; The Henry Barber Trust, The Barber Institute of Fine Arts, University of Birmingham; (add.info.: correctly known as Portrait of a Lady from the Court of Milan; see 34379
This drawing is a copy of a painting attributed to Leonardo da Vinci in the Louvre, Paris, thought to represent a mistress of Francis I. Ingress work precisely traces the subtle contours of the painting revealing his skills as a draughtsman, but Ingres omits the parapet at the bottom of the original painting. Ingres made countless copies after the old masters. This drawing was made when the artist was a student and presented to his master, David, before he left for Rome in 1806.); eBarber Institute of Fine Arts; eThe Henry Barber Trust, The Barber Institute of Fine Arts, University of Birmingham; French, out of copyright
Media ID 23255306
© Barber Institute of Fine Arts The Henry Barber Trust, The Barber Institute of Fine Arts, University of Birmingham / Bridgeman Images
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EDITORS COMMENTS
The print captures a stunning image of "La Belle Ferronniere" a drawing by Jean Auguste Dominique Ingres. Created between 1802-06, the artwork showcases Ingres' exceptional skills as a draughtsman. The piece is a copy of a painting attributed to Leonardo da Vinci in the Louvre, Paris, believed to depict one of Francis I's mistresses from the Court of Milan. Ingres meticulously traces the delicate contours of the original painting with precision and expertise. However, he chooses to omit the parapet at the bottom, adding his own artistic interpretation to the work. This particular drawing was created during Ingres' time as a student and was presented to his master, David before his departure for Rome in 1806. Measuring 52.5x41.8 cm, this print is part of The Henry Barber Trust collection housed at The Barber Institute of Fine Arts within the University of Birmingham. It serves as an exquisite example not only of Ingres' talent but also his dedication to studying and emulating works by old masters. With its timeless beauty captured in black chalk and wash on paper, "La Belle Ferronniere" continues to captivate viewers with its elegance and grace centuries after its creation.
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