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"Cetewayo civilised", the Ex-Zulu King in the Castle, Cape Town (engraving)
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"Cetewayo civilised", the Ex-Zulu King in the Castle, Cape Town (engraving)
1045156 " Cetewayo civilised", the Ex-Zulu King in the Castle, Cape Town (engraving) by English School, (19th century); Private Collection; (add.info.: " Cetewayo civilised", the Ex-Zulu King in the Castle, Cape Town. Illustration for The Graphic, 3 January 1880.); Look and Learn / Illustrated Papers Collection
Media ID 23544214
© Look and Learn / Illustrated Papers Collection / Bridgeman Images
Cannons Cape Town Castle Complex Cetewayo Civilised Fairy Tale Castle Fairytale Castle Old Castle Royal Castle Small Castle The Castle Dwelling Places
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EDITORS COMMENTS
This engraving titled ""Cetewayo civilised", the Ex-Zulu King in the Castle, Cape Town" takes us back to 19th century South Africa. The image depicts Cetewayo, the former Zulu King, standing proudly inside a small castle within Cape Town's fortress-like walls. The engraving showcases an intriguing blend of cultures and power dynamics. Despite being exiled from his homeland and stripped of his tribal authority by British colonial forces, Cetewayo appears regal and dignified in this foreign setting. His presence within the castle symbolizes both his captivity and attempts at assimilation into Western society. Surrounded by cannons that once represented military might, Cetewayo's dwelling serves as a stark contrast to traditional Zulu huts. This juxtaposition highlights the clash between indigenous African culture and European imperialism during this period. The artist masterfully captures the essence of this historical moment through intricate details and textures. The old castle complex becomes a visual metaphor for Cetewayo's journey – from tribal royalty to captive exile – while also evoking a sense of enchantment reminiscent of fairy tale castles. Through this engraving, we are reminded of the complexities inherent in colonization: how power can be wielded against native peoples while simultaneously attempting to "civilize" them according to Western standards. It invites viewers to reflect on themes such as identity, cultural preservation, and resilience in the face of adversity.
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