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Anne McNair Alison, nee Nicholls (oil on panel)

Anne McNair Alison, nee Nicholls (oil on panel)


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Anne McNair Alison, nee Nicholls (oil on panel)

TW426758 Anne McNair Alison, nee Nicholls (oil on panel) by Nicholls, Charles Wynne (1831-1903); 31.5x26 cm; Shipley Art Gallery, Gateshead, Tyne & Wear, UK; eTyne & Wear Archives & Museums; English, out of copyright

Media ID 22407608

© Tyne & Wear Archives & Museums / Bridgeman Images

Cushion Cushions Nightgown Sofa


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> Arts > Still life artwork > Oil paintings > Portrait paintings

> Europe > United Kingdom > England > Tyne and Wear > Gateshead

> Europe > United Kingdom > England > Tyne and Wear > Related Images

> Europe > United Kingdom > Paintings

> Fine Art Finder > Artists > Charles Wynne Nicholls

> Fine Art Finder > Artists > English School

> Fine Art Finder > Women 19th And Early 20th Century


EDITORS COMMENTS
This portrait captures the elegance and grace of Anne McNair Alison, nee Nicholls. Painted by Charles Wynne Nicholls in the 19th century, this oil on panel artwork showcases Anne's beauty with her flowing hair down and a serene expression on her face. Seated on a sofa adorned with plush cushions, Anne exudes an air of sophistication and refinement. Dressed in a delicate nightgown, she is depicted in three-quarter length, allowing us to appreciate every detail of her attire and demeanor. The artist skillfully portrays Anne's profile, highlighting her striking features and creating a sense of depth within the painting. The soft lighting adds to the overall ambiance, enhancing the ethereal quality of this exquisite piece. Displayed at the Shipley Art Gallery in Gateshead, Tyne & Wear, UK, this artwork is part of eTyne & Wear Archives & Museums' collection. Its timeless beauty continues to captivate viewers as they admire both its artistic merit and historical significance. Bridgeman Images has preserved this remarkable print for art enthusiasts worldwide to enjoy. As we gaze upon it today, we are transported back in time to witness the allure and charm that made Anne McNair Alison such an intriguing subject for Charles Wynne Nicholls' brushstrokes.

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