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The Boxers Propaganda, the Chinese Punch-and-Judy as an Anti-Foreign Instrument (litho)
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The Boxers Propaganda, the Chinese Punch-and-Judy as an Anti-Foreign Instrument (litho)
1600094 The Boxers Propaganda, the Chinese Punch-and-Judy as an Anti-Foreign Instrument (litho) by Frenzeny, Paul (1840-1902); Private Collection; (add.info.: The Boxers Propaganda, the Chinese Punch-and-Judy as an Anti-Foreign Instrument. Illustration for The Illustrated London News, 25 August 1900.
P Frenzeny); Look and Learn / Illustrated Papers Collection
Media ID 23002190
© Look and Learn / Illustrated Papers Collection / Bridgeman Images
Boxer Boxers Judy Judy Show Propaganda Punch Street Entertainment Chineses
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The Boxers Propaganda - Unveiling the Chinese Punch-and-Judy as an Anti-Foreign Instrument
EDITORS COMMENTS
. This lithograph, created by Paul Frenzeny in 1900, offers a glimpse into the world of street entertainment and political propaganda in China during the Boxer Rebellion. The image showcases a traditional Chinese Punch-and-Judy show, but with a twist - it is transformed into a powerful tool against foreign influence. Intricately detailed and richly colored, this print captures the essence of this anti-foreign sentiment. The performers are dressed in vibrant traditional attire, their faces animated with expressions that convey both amusement and defiance. As they manipulate their puppets on stage, they cleverly weave messages of resistance against foreign powers into their act. The scene unfolds amidst a bustling street filled with curious onlookers. It serves as a reminder that these performances were not only sources of entertainment but also platforms for disseminating political ideas to the masses. Frenzeny's mastery lies in his ability to capture not just the physicality of this ancient art form but also its underlying significance within Chinese society at that time. Through his skilled engraving techniques, he brings to life every intricate detail - from the delicate movements of each puppet to the expressions etched onto their wooden faces. This lithograph stands as an important historical document, shedding light on how art was utilized as a potent weapon during times of social upheaval. It invites us to reflect upon the power of propaganda and
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