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"There was an Old Person of Rhodes, who strongly objected to toads", from A Book of Nonsense, published by Frederick Warne and Co. London, c. 1875 (colour litho)

'There was an Old Person of Rhodes, who strongly objected to toads', from A Book of Nonsense, published by Frederick Warne and Co. London, c. 1875 (colour litho)


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"There was an Old Person of Rhodes, who strongly objected to toads", from A Book of Nonsense, published by Frederick Warne and Co. London, c. 1875 (colour litho)

LLM386635 " There was an Old Person of Rhodes, who strongly objected to toads", from A Book of Nonsense, published by Frederick Warne and Co. London, c.1875 (colour litho) by Lear, Edward (1812-88); Private Collection; (add.info.: Written 1846; ); © Look and Learn

Media ID 23254074

© Look and Learn / Bridgeman Images

Absurd Afraid Anguish Catching Childrens Cousins Coward Cowardly Cowering Frogs Humourous Limerick Limericks Rhyme Rhymes Fear Irrational Phobia Verse


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EDITORS COMMENTS
This print captures the essence of Edward Lear's whimsical limerick, "There was an Old Person of Rhodes, who strongly objected to toads". Published in A Book of Nonsense by Frederick Warne and Co. London around 1875, this color lithograph showcases Lear's satirical drawing accompanied by his witty verse. The image portrays a humorous scene where an elderly person from Rhodes is depicted as being irrationally afraid of toads. The exaggerated facial expressions and body language convey anguish and fear while adding a touch of absurdity to the illustration. Lear's clever use of text complements the artwork perfectly, enhancing its comical nature. This Victorian-era piece not only entertains but also highlights the power of literature and art in evoking emotions. It invites viewers into a world filled with playful rhymes and imaginative illustrations that appeal to both children and adults alike. Through this delightful composition, Lear reminds us that even our most irrational fears can be turned into sources of amusement. This timeless work continues to captivate audiences with its charming depiction of human quirks and idiosyncrasies. As we gaze upon this enchanting print, we are reminded once again that laughter truly knows no bounds – transcending time, culture, and generations.

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