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Mount Athos and the Monastery of Stavroniketes, 1857 (oil on canvas)

Mount Athos and the Monastery of Stavroniketes, 1857 (oil on canvas)


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Mount Athos and the Monastery of Stavroniketes, 1857 (oil on canvas)

XYC136580 Mount Athos and the Monastery of Stavroniketes, 1857 (oil on canvas) by Lear, Edward (1812-88); 34.3x54.6 cm; Yale Center for British Art, Paul Mellon Collection, USA; (add.info.: it is the last of the 40 monasteries built there, and one of the 20 that survive; ); English, out of copyright

Media ID 12695455

© www.bridgemanart.com

Aegean Sea Holy Mountain Monastic Peninsula Chalcidice Chalkidiki Halkidiki


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EDITORS COMMENTS
This print showcases the awe-inspiring beauty of Mount Athos and the Monastery of Stavroniketes. Painted in 1857 by Edward Lear, this oil on canvas artwork measures 34.3x54.6 cm and is currently housed at the Yale Center for British Art, Paul Mellon Collection in the USA. Mount Athos, also known as the Holy Mountain, rises majestically from the Aegean Sea coast, creating a breathtaking backdrop for this monastic sanctuary. The Monastery of Stavroniketes holds great historical significance as it is not only one of the last remaining out of 40 monasteries built there but also one of only twenty that have survived to this day. The painting captures a serene landscape with its lush greenery and tranquil waters surrounding the peninsula. In harmony with nature's grandeur stands Stavronikita, an ascetic settlement founded in 1542. Its architectural splendor harmonizes perfectly with its surroundings, showcasing intricate details that reflect Greek Orthodox traditions. This image transports viewers to a place where time seems to stand still—a haven where monks dedicate their lives to prayer and contemplation amidst stunning natural beauty. It serves as a reminder of both humanity's spiritual yearnings and our ability to create enduring works that honor them. Edward Lear's masterpiece allows us to appreciate not just his artistic talent but also invites us into a world steeped in history and devotion—an invitation we gladly accept through this remarkable print brought to

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