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Theatrical representation: "The King has fun"by Victor Hugo (1808-1883)
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Theatrical representation: "The King has fun"by Victor Hugo (1808-1883)
XEE4178829 Theatrical representation: " The King has fun" by Victor Hugo (1808-1883). Act IV and V: the deserte strike next to the Tournelle. Paris, Comedie Francaise, 1882. Paris, Comedie Francaise, 1882. Engraving in " Le Monde Illustre" nA'1339 of 25 November 1882. by Unknown Artist, (19th century); Private Collection; (add.info.: Theatrical representation: " The King has fun" by Victor Hugo (1808-1883). Act IV and V: the deserte strike next to the Tournelle. Paris, Comedie Francaise, 1882. Paris, Comedie Francaise, 1882. Engraving in " Le Monde Illustre" nA'1339 of 25 November 1882.); Stefano Bianchetti; out of copyright
Media ID 22480492
© Stefano Bianchetti / Bridgeman Images
French Comedie Hugo Scenography Victor 1802 1885
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EDITORS COMMENTS
This print captures a theatrical representation of Victor Hugo's "The King has fun" at the Paris Comedie Francaise in 1882. The image showcases Act IV and V, specifically the striking desert scene next to the Tournelle. The engraving, featured in "Le Monde Illustre" on November 25th, 1882, is a testament to the artistic brilliance of an unknown 19th-century artist. "The King has fun" by Victor Hugo was brought to life on stage with stunning scenography and mesmerizing performances. This particular moment captured in the photograph transports us back to that time when theater was truly an immersive experience for its audience. The intricate details of this engraving highlight the grandeur and drama of Hugo's play. It allows us to appreciate both the skillful craftsmanship behind each set design as well as the talent displayed by actors who brought these characters to life. As we gaze upon this historic image from a private collection, we are reminded of how art can transcend time and transport us into different worlds. It serves as a reminder that even though centuries have passed since this production took place, its impact continues to resonate with audiences today. Stefano Bianchetti's work beautifully captures this momentous occasion in French theatre history, preserving it for generations to come.
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