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Cover of "Le Grelot", number 1316, Satirique en Couleurs
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Cover of "Le Grelot", number 1316, Satirique en Couleurs
ICA4923778 Cover of " Le Grelot", number 1316, Satirique en Couleurs, 1896_6_28: France and Madagascar - Anticlericalism, Colonization, Madagascar, Anticolonialism - Cupidite/Avarice, Budget of cult, Eg social parasite, Eg opposee to the people, Privileges of the Church - Marianne - Illustration by Edouard Guillaumin (Pepin) (1842-1910) by Pepin, Edouard Guillaumin (1842-1927); (add.info.: Cover of " Le Grelot", number 1316, Satirique en Couleurs, 1896_6_28: France and Madagascar - Anticlericalism, Colonization, Madagascar, Anticolonialism - Cupidite/Avarice, Budget of cult, Eg social parasite, Eg opposee to the people, Privileges of the Church - Marianne - Illustration by Edouard Guillaumin (Pepin) (1842-1910)); Photo eCaricadoc; French, out of copyright
Media ID 22874580
© Caricadoc / Bridgeman Images
Anticlericalism Bondman Cupidite Driver Enslavement Eveque Free Madagascar Marianne Postage Postures Released Whip Woman Symbol A Journal Caricadoc Coupling Journalism Transport Vehicle
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EDITORS COMMENTS
This print showcases the cover of "Le Grelot" number 1316, Satirique en Couleurs. Created in 1896, this satirical publication explores various themes such as anticlericalism, colonization, and anticolonialism in France and Madagascar. The illustration by Edouard Guillaumin (Pepin) depicts a thought-provoking scene filled with symbolism. In the center of the image stands Marianne, a symbol of France, surrounded by clergy members who represent the Church's privileges. The artwork highlights societal issues like greed (cupidite), budget allocation for religious purposes (Budget of cult), social parasites opposing progress (Eg social parasite), and opposition to the people's interests (Eg opposee to the people). These elements reflect an era marked by tensions between religion and society. The engraving also portrays an African man being whipped while pulling a transport vehicle. This imagery represents both colonialism and enslavement during that time period. However, there is hope depicted as well; a woman symbolizing freedom is shown breaking free from her chains. Overall, this powerful visual commentary encapsulates the complexities of French society in the late 19th century. It serves as a reminder of historical struggles against religious dominance and colonial oppression while shedding light on ongoing debates surrounding wealth distribution and social justice.
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