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Pedro de Urbina de Montoya, archeveque of Seville (Spain) from 1658 to 1663, based on a painted portrait of Bartolome Murillo (1618-1682) - Lithography from an illustration by Edmond Lechevallier-Chevignard (1825-1902)
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Pedro de Urbina de Montoya, archeveque of Seville (Spain) from 1658 to 1663, based on a painted portrait of Bartolome Murillo (1618-1682) - Lithography from an illustration by Edmond Lechevallier-Chevignard (1825-1902)
FLO4617035 Pedro de Urbina de Montoya, archeveque of Seville (Spain) from 1658 to 1663, based on a painted portrait of Bartolome Murillo (1618-1682) - Lithography from an illustration by Edmond Lechevallier-Chevignard (1825-1902), from " Historical Costumes of the 16th, 17th and 18th century" by Georges Duplessis (1834-1899), edition 1867 by Lechevallier-Chevignard, Edmond (1825-1902); (add.info.: Pedro de Urbina de Montoya, archeveque of Seville (Spain) from 1658 to 1663, based on a painted portrait of Bartolome Murillo (1618-1682) - Lithography from an illustration by Edmond Lechevallier-Chevignard (1825-1902), from " Historical Costumes of the 16th, 17th and 18th century" by Georges Duplessis (1834-1899), edition 1867); © Florilegius
Media ID 22849150
© Florilegius / Bridgeman Images
17eme Siecle Artiste Blason Blazon Clerge Clothing Style Couleur Edmond Lechavellier Chevignard Espagne Eveque Fashiom Fashion Trend Livre Manteau Ordre Religieux Pretre Seicento Seville Vetement Winter Coat 17 17th 17th 17th Xvii 18th Century 19eme Siecle Circa 1600 Costume Design Early 17th Century Early Xvii Century Fancy Dress Fancy Dress Costume Florilegius Gravure Homme Imam Mode Religious Orders Religious Role Seventeeth Century
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EDITORS COMMENTS
This lithograph print showcases Pedro de Urbina de Montoya, the archbishop of Seville in Spain from 1658 to 1663. Based on a painted portrait by Bartolome Murillo, this illustration was created by Edmond Lechevallier-Chevignard and featured in "Historical Costumes of the 16th, 17th and 18th century" by Georges Duplessis. The image captures Archbishop Montoya dressed in his elaborate clergy attire, emphasizing his high status within the religious order. His coat is adorned with intricate details and symbols that represent his position and authority. The artist skillfully brings out the vibrant colors of the costume, highlighting its opulence. Montoya's expression reflects wisdom and serenity as he gazes into the distance. This portrayal not only captures his physical appearance but also hints at his spiritual depth and devotion to serving God. The lithography technique used for this print adds a unique texture to the artwork, enhancing its visual appeal. It allows viewers to appreciate both the fine details of Montoya's costume as well as Lechevallier-Chevignard's artistic interpretation. Overall, this print provides a glimpse into Spanish religious history during the seventeenth century. It serves as a testament to both Murillo's talent as a painter and Lechevallier-Chevignard's ability to bring historical figures to life through lithography.
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