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Plate 538. Double Amputation of Thighs; Boy; A, Moving Foward, 1885 (collotype on paper)

Plate 538. Double Amputation of Thighs; Boy; A, Moving Foward, 1885 (collotype on paper)


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Plate 538. Double Amputation of Thighs; Boy; A, Moving Foward, 1885 (collotype on paper)

3950514 Plate 538. Double Amputation of Thighs; Boy; A, Moving Foward, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 16.5x44.5 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA, USA; (add.info.: Animal Locomotion, 1887, Volume VIII, Abnormal Movements-Men and Women); gift of the Edwin J. Beinecke Trust; English, out of copyright

Media ID 23659236

© gift of the Edwin J. Beinecke Trust / Bridgeman Images

Adversity Amputated Amputee Animal Locomotion Disability Disabled Early Motion Picture Sequence Frames Limbs Motion Sequence Sequential Stop Motion B W Photo Black And White Photograph


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EDITORS COMMENTS
This photograph, titled "Plate 538. Double Amputation of Thighs; Boy; A, Moving Forward" captures a poignant moment frozen in time. Taken in 1885 by the renowned photographer Eadweard Muybridge, this collotype print measures 16.5x44.5 cm and is housed at the Addison Gallery of American Art in Andover, MA. Part of Muybridge's groundbreaking series "Animal Locomotion" from 1887, this image showcases his pioneering work in early motion picture sequences and stop-motion photography. The sequence depicts a young boy with double amputated thighs sitting on a chair and moving forward. The scientific nature of this photograph is evident as it documents abnormal movements observed in both men and women during that era. It serves as a valuable study for understanding movement patterns and sequential actions. However, beyond its scientific significance lies a deeper narrative about resilience amidst adversity. The presence of the disabled boy challenges societal norms while highlighting the strength within individuals facing physical disabilities. Through Muybridge's lens, we witness not only an extraordinary photographic technique but also an intimate portrayal of human experience. This image invites us to reflect on themes such as disability, childhood innocence, perseverance, and the power of photography to capture profound moments that transcend time itself. As we gaze upon this remarkable piece from Bridgeman Images' collection, let us appreciate its artistic value while acknowledging its historical context and the stories it tells about our shared humanity.

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