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Plate 361. Throwing a Spear, 1872-85 (collotype on paper)
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Plate 361. Throwing a Spear, 1872-85 (collotype on paper)
3950339 Plate 361. Throwing a Spear, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 23.2x32.1 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA, USA; (add.info.: Animal Locomotion, 1887, Volume V, Men (Pelvis Cloth)); eAddison Gallery of American Art; gift of the Edwin J. Beinecke Trust; English, out of copyright
Media ID 23659160
© Addison Gallery of American Art gift of the Edwin J. Beinecke Trust / Bridgeman Images
Animal Locomotion Early Motion Picture Sequence Frames Javelin Lance Loincloth Motion Pelvis Cloth Semi Naked Sequence Sequential Stop Motion Throw Throwing B W Photo Black And White Photograph
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EDITORS COMMENTS
This photograph, titled "Plate 361. Throwing a Spear" captures a moment frozen in time from Eadweard Muybridge's groundbreaking series "Animal Locomotion". Taken between 1872 and 1885, this collotype print showcases Muybridge's pioneering work in early motion picture sequences. In this particular frame, we witness the dynamic action of a man throwing a spear with incredible precision. The intensity of his movement is palpable as he launches the weapon forward with force and determination. The sequence of frames allows us to study the mechanics of human motion in great detail, highlighting Muybridge's scientific approach to photography. The subject stands semi-naked, adorned only by a loincloth known as a pelvis cloth. This minimal attire emphasizes the focus on movement and anatomy rather than distracting elements. Through this image, Muybridge invites us into an exploration of both physicality and weaponry. Displayed at the Addison Gallery of American Art at Phillips Academy in Andover, MA, USA, this print serves as an invaluable historical document capturing not only artistic beauty but also scientific inquiry. It reminds us that photography has long been used as a tool for understanding our world more deeply. As we gaze upon this mesmerizing photograph by Eadweard Muybridge through Bridgeman Images' lens, we are transported back to an era where innovation met artistry to unlock new realms of knowledge about human locomotion and capture fleeting moments like never before.
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