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Pontius Pilate washes his hands. Maesta altarpiece (tempera and gold on wood, 1308-1311)

Pontius Pilate washes his hands. Maesta altarpiece (tempera and gold on wood, 1308-1311)


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Pontius Pilate washes his hands. Maesta altarpiece (tempera and gold on wood, 1308-1311)

LRI4571825 Pontius Pilate washes his hands. Maesta altarpiece (tempera and gold on wood, 1308-1311) by Duccio di Buoninsegna, (c.1278-1318); Museo dell Opera del Duomo, Siena, Italy; (add.info.: La Maesta La passion: Pontius Pilate washes his hands Back of the altarpiece - Painting by Duccio di Buoninsegna (1255-1319), 1308-1311 Dim 50x55 cm Tempera on wood with golden background Museo dell Opera del Duomo, Siena (Museum of the work of the Cathedrale of Siena)); Luisa Ricciarini; Italian, out of copyright

Media ID 23015954

© Luisa Ricciarini / Bridgeman Images

Chain Gold Background Indifference Passion Pilate Pumice Trecento Aureole Prisoner


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EDITORS COMMENTS
This print captures the iconic moment of Pontius Pilate washing his hands, depicted in Duccio di Buoninsegna's Maesta altarpiece. Painted between 1308 and 1311, this masterpiece showcases the artist's skillful use of tempera and gold on wood. The image portrays a scene from the Passion of Christ, where Pilate symbolically absolves himself from responsibility for Jesus' crucifixion. The painting's golden background adds a sense of divine presence to the composition, emphasizing the religious significance of this pivotal moment. Luisa Ricciarini beautifully captures every intricate detail in her photograph, allowing viewers to appreciate the artistry and craftsmanship that went into creating this trecento masterpiece. The aureole surrounding Pilate signifies his elevated status as a historical figure while also highlighting his role within biblical narratives. The chains adorning Pilate's prisoner serve as a reminder of Jesus' impending fate and highlight themes of power dynamics and human indifference. This artwork serves as an important visual representation of faith during the Middle Ages, offering insight into Italian religious practices at that time. Displayed at Museo dell Opera del Duomo in Siena, Italy, this painting continues to inspire awe and contemplation among visitors today. Luisa Ricciarini's expertly captured photograph allows us to appreciate its beauty even if we cannot witness it firsthand.

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