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Agostino Novello called the Panormitano and the representation of four of his miracles, c. 1328 (tempera on wood)
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Agostino Novello called the Panormitano and the representation of four of his miracles, c. 1328 (tempera on wood)
LRI4621503 Agostino Novello called the Panormitano and the representation of four of his miracles, c. 1328 (tempera on wood) by Martini, Simone (1284-1344); Chiesa di Sant Agostino, Siena, Tuscany, Italy; (add.info.: The Italian monk Agostino Novello said he Panormitano and the representation of four of his miracles. From left to right and from top to bottom: the child attacks by a wolf, the knight falls into the ravine, the child falls from the balcony, the child falls from his cradle. Detrempe on wood by Simone Martini (ca. 1284-1344), 1328 approx. Sun. 198x257 cm Siena (Siena) Chiesa di Sant Agostino Italy); Luisa Ricciarini
Media ID 25897732
© Luisa Ricciarini / Bridgeman Images
Accident Agony Anguish Animlas Anxiete Anxiety Assault Blood Care Confidence Cradle Danger Equity Fall Fortification Generosity Heroism Miracle Prostration Rebuttoned Rescue She Wolf Torment Trecento Wolf Wolves Accidents Aureole Conversation Fear New Baby New Born New Born Babes New Born Infant Newborn Newly Born Religious Orders Religious Role
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This print showcases the artwork titled "Agostino Novello called the Panormitano and the representation of four of his miracles" by Simone Martini. Created around 1328, this tempera on wood painting is housed in the Chiesa di Sant Agostino in Siena, Tuscany, Italy. The piece depicts four miraculous events associated with Agostino Novello, an Italian monk known as Panormitano. From left to right and top to bottom, we witness a child being attacked by a wolf, a knight falling into a ravine, another child falling from a balcony, and yet another child falling from their cradle. Each scene portrays moments of danger and fear that are ultimately resolved through divine intervention. Simone Martini's skillful brushwork brings these scenes to life with intricate details such as landscapes, angels hovering above each incident, and figures engaged in conversation or prayer. The artist's use of tempera on wood enhances the vividness of colors while adding depth to the composition. This artwork captures themes of faith, heroism, and human vulnerability within religious contexts. It evokes feelings of anxiety for those involved but also instills hope through acts of rescue and generosity. Through its portrayal of miraculous events intertwined with everyday life situations like accidents or falls, this painting reminds viewers that even amidst adversity there is always room for divine intervention.
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