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St Gregory in his Study (verso), c. 1520 (oil on wood)

St Gregory in his Study (verso), c. 1520 (oil on wood)


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St Gregory in his Study (verso), c. 1520 (oil on wood)

3744026 St Gregory in his Study (verso), c.1520 (oil on wood) by Ferrari, Defendente (fl.1500-35); 154.3x92.1 cm; Nottingham City Museums and Galleries (Nottingham Castle); eNottingham City Museums & Galleries; Italian, out of copyright

Media ID 22655128

© Nottingham City Museums & Galleries / Bridgeman Images

Crucifix Dove Golden Perch Perched Perching


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EDITORS COMMENTS
This print showcases the exquisite artwork of "St Gregory in his Study (verso)" by Defendente Ferrari, a renowned Italian artist from the 16th century. Painted around 1520, this oil on wood masterpiece measures an impressive 154.3x92.1 cm and is currently housed at Nottingham City Museums and Galleries. In this thought-provoking portrait, St Gregory, a prominent figure in Christianity, is depicted seated in his study adorned with golden robes. The intricate details capture the saint's pensive expression as he contemplates religious matters. A dove perched delicately on his finger symbolizes peace and divine inspiration. Ferrari's masterful use of color and texture brings depth to the painting, highlighting St Gregory's importance within Christian history. The presence of a crucifix further emphasizes his devotion to faith. The composition exudes an air of tranquility as St Gregory sits surrounded by books and scrolls that represent knowledge and wisdom. His regal posture reflects both authority and humility. This remarkable piece not only serves as a testament to Ferrari's artistic prowess but also invites viewers to reflect upon their own spiritual journey. It reminds us of the enduring power of religion and its impact on individuals throughout history. As we admire this extraordinary work through Bridgeman Images' high-quality reproduction, we are transported back in time to witness St Gregory immersed in contemplation—a timeless portrayal that continues to inspire awe today.

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