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Tome 4 fol. 19, View of Plaza de Thalco with an Indian tied to a stake, from Teatro
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Tome 4 fol. 19, View of Plaza de Thalco with an Indian tied to a stake, from Teatro
XIR226517 Tome 4 fol.19, View of Plaza de Thalco with an Indian tied to a stake, from Teatro de la Nueva Espana, late 18th century (w/c on paper) by Panes y Avellan, Diego Garcia (1730-1811); Biblioteca Nacional de Mexico, Mexico; (add.info.: Diego Garcia Panes was a Spanish military engineer of Catalan origin; arrived in Mexico in 1755; later was author of a pictorial account of pre-conquest Mexican history Teatro de la Nueva Espana which was never published; Theatre of New Spain ; ); Spanish, out of copyright
Media ID 12764985
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Aztec Central America Central American Mesoamerica Mesoamerican Pre Columbian Precolumbian Town Square Tribe Natives Punishment
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EDITORS COMMENTS
This photo print, titled "Tome 4 fol. 19, View of Plaza de Thalco with an Indian tied to a stake, from Teatro de la Nueva Espana" takes us back to the late 18th century in Mexico. The image showcases a scene of punishment and serves as a powerful reminder of the complex history that unfolded during this time. In the center of the Plaza de Thalco stands an indigenous man, bound to a stake. His traditional dress and costume highlight his tribal heritage, connecting us to the rich cultural tapestry of Central America. This visual representation transports us into a world where native tribes coexisted with Spanish colonizers. Diego Garcia Panes y Avellan, a Spanish military engineer turned author and artist, meticulously captured this moment as part of his ambitious project called Teatro de la Nueva Espana. Unfortunately, this comprehensive pictorial account of pre-conquest Mexican history was never published but remains preserved in the Biblioteca Nacional de Mexico. As we gaze upon this historical artifact, it is essential to reflect on its significance beyond mere documentation. It invites contemplation about power dynamics between conquerors and conquered peoples during colonial times. It reminds us that beneath our feet lie layers upon layers of stories waiting to be uncovered and understood. This photograph not only captures punishment within a town square but also symbolizes resilience amidst adversity—a testament to the enduring spirit of those who have come before us in shaping our shared human experience in Meso
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