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Ecce Homo Fresco by Gaudenzio Ferrari (1475 ca-1546) 1542 Milan

Ecce Homo Fresco by Gaudenzio Ferrari (1475 ca-1546) 1542 Milan


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Ecce Homo Fresco by Gaudenzio Ferrari (1475 ca-1546) 1542 Milan

LRI4690816 Ecce Homo Fresco by Gaudenzio Ferrari (1475 ca-1546) 1542 Milan, Basilica di Santa Maria delle Grazie Italy by Ferrari, Gaudenzio (1474/80-1546); Santa Maria delle Grazie, Milan, Italy; (add.info.: Ecce Homo Fresco by Gaudenzio Ferrari (1475 ca-1546) 1542 Milan, Basilica di Santa Maria delle Grazie Italy); Luisa Ricciarini; Italian, out of copyright

Media ID 22819510

© Luisa Ricciarini / Bridgeman Images

Chain Condemnation Crown Of Thorns Justice Passion Pilate Pumice Aureole Cinquecento Prisoner


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EDITORS COMMENTS
This print showcases the exquisite "Ecce Homo Fresco" by Gaudenzio Ferrari, a renowned Italian artist from the Renaissance period. Created in 1542, this masterpiece can be found in the Basilica di Santa Maria delle Grazie in Milan, Italy. The fresco depicts a powerful biblical scene known as "Ecce Homo" meaning "Behold the Man". In this momentous artwork, Jesus Christ is presented to the crowd by Pontius Pilate before his crucifixion. The painting beautifully captures the anguish and suffering of Christ as he wears a crown of thorns and is bound with chains. Gaudenzio Ferrari's exceptional talent shines through every brushstroke, showcasing his mastery of capturing emotion and religious symbolism. The intricate details and vibrant colors bring life to this significant moment from Christian history. Luisa Ricciarini skillfully photographed this remarkable fresco print, allowing viewers to appreciate its beauty and historical significance. As we gaze upon it, we are transported back in time to witness an important event that has shaped Christianity for centuries. This print serves as a reminder of the enduring power of art to convey profound stories and evoke deep emotions within us. It stands as a testament to Gaudenzio Ferrari's genius and Luisa Ricciarini's ability to capture its essence through her lens.

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