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Chinese nursery maid and two children, 1822 (engraving)
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Chinese nursery maid and two children, 1822 (engraving)
7234170 Chinese nursery maid and two children, 1822 (engraving) by Alexander, William (1767-1816) (after); Private Collection; (add.info.: Chinese nursery maid and two children, 18th century. She wears cotton clothes, while the children wear silk. A parasol lies on the ground. Une bonne et deux enfans. Handcoloured copperplate engraving after an illustration by William Alexander from J-B. Eyries La Chine: Costumes, Moeurs et Usages des Chinois, China: Costumes, Manners and Mores of the Chinese, Librairie de Gide Fils, Paris, 1822. Jean-Baptiste Eyries(1767-1846) was aFrenchgeographer, author and translator.); © Florilegius
Media ID 25167314
© Florilegius / Bridgeman Images
Childhod Childhoo China China China China Chinese Customary Customs Customs And Traditions Daycare Employment Ethnicity Getting Work National Costume Nursery Pre School Chineses Costume Design Ethnography Fancy Dress Fancy Dress Costume Inhabitant Summer Clothes The Woman Traditional Costume
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EDITORS COMMENTS
This engraving, titled "Chinese nursery maid and two children, 1822" offers a glimpse into the lives of a Chinese household in the 18th century. The image showcases a woman dressed in cotton clothing, symbolizing her role as a nursery maid, while the two children she cares for are adorned in luxurious silk garments. A parasol rests on the ground nearby, hinting at their privileged lifestyle. The hand-colored copperplate engraving was created by William Alexander and is part of a private collection. It originally appeared as an illustration in Jean-Baptiste Eyries' book "La Chine: Costumes, Moeurs et Usages des Chinois" (China: Costumes, Manners and Mores of the Chinese) published in Paris in 1822. The artwork not only highlights traditional Chinese attire but also provides insight into societal norms and employment practices during that era. It reflects both cultural traditions and French fascination with exotic cultures prevalent during this period. Bridgeman Images has preserved this exquisite piece of art from the late 18th to early 19th century. Its intricate details capture the essence of Asian ethnicity and offer viewers an opportunity to appreciate historical costume design. As we admire this print today, it serves as a reminder of how art can bridge time gaps and transport us to different eras while celebrating diversity across continents.
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