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Raymond VII, Count of Toulouse, repudiating his wife, Sancha of Aragon, 1230 (engraving)

Raymond VII, Count of Toulouse, repudiating his wife, Sancha of Aragon, 1230 (engraving)


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Raymond VII, Count of Toulouse, repudiating his wife, Sancha of Aragon, 1230 (engraving)

5233527 Raymond VII, Count of Toulouse, repudiating his wife, Sancha of Aragon, 1230 (engraving) by Cochin, Charles Nicolas II (1715-90); Private Collection; (add.info.: Raymond VII, Count of Toulouse, repudiating his wife, Sancha of Aragon, 1230.); Look and Learn / Elgar Collection

Media ID 23270340

© Look and Learn / Elgar Collection / Bridgeman Images

13 13th Xiii Xiiith Century 13 13th Xiii Xiiith Thirteenth Century 13 Century 13th Century C13th Charles 7 King Of France Charles 7 The Victorious Charles 7 The Well Served Charles The Well Served Charles Vii Count Of Toulouse Haute Garonne House Of Valois King Of Languedoc Maharajah Marharaja Midi Pyrenees Occitanie Princess The 13th Century Thirteenth Century Toulouse Valois Xiii Century Xiiith Century 15th 15 Xv Xvth Fifteenth Century Early Xv Century Late Xv Century


FEATURES IN THESE COLLECTIONS

> Arts > Artists > C > Charles Nicolas II Cochin

> Europe > France > Canton > Garonne

> Europe > France > Canton > Pyrenees

> Europe > France > Royalty

> Europe > France > Toulouse

> Fine Art Finder > Artists > Charles Nicolas II Cochin


EDITORS COMMENTS
The engraving captures a pivotal moment in history as Raymond VII, Count of Toulouse, repudiates his wife, Sancha of Aragon, in the year 1230. The scene is filled with tension and emotion as the couple stands before a group of onlookers. Raymond's stern expression reveals his determination to sever ties with his wife while Sancha's face reflects her shock and disbelief. This image offers a glimpse into the complex world of medieval French royalty. It showcases the power dynamics within marriages that were often arranged for political alliances rather than love. Raymond's decision to repudiate Sancha highlights the precarious position women held during this time period. The setting adds further depth to the narrative, depicting a grand hall adorned with tapestries and ornate furnishings. This serves as a reminder of the opulence enjoyed by nobility during this era. The artist, Charles Nicolas II Cochin (1715-90), skillfully captures both historical accuracy and artistic flair in this engraving. His attention to detail brings each character to life, allowing viewers to immerse themselves in this dramatic moment from centuries past. Overall, this print provides an intriguing window into French history and invites contemplation on themes such as power dynamics within marriage and societal expectations placed upon women in medieval Europe.

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