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Obsequio a el maestro (A Gift for the Master), plate 47 of Los Caprichos
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Obsequio a el maestro (A Gift for the Master), plate 47 of Los Caprichos
CHT163085 Obsequio a el maestro (A Gift for the Master), plate 47 of Los Caprichos, original edition, late 18th century (colour engraving) by Goya y Lucientes, Francisco Jose de (1746-1828); Bibliotheque Nationale, Paris, France; (add.info.: Cadeau au maitre, planche 47 des Caprices ; ); eArchives Charmet; Spanish, out of copyright
Media ID 22605118
© Archives Charmet / Bridgeman Images
Anti Clerical Beseeching Idol Imploring Social Criticism Supplication Idolatrous Idolizing
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EDITORS COMMENTS
Obsequio a el maestro (A Gift for the Master), plate 47 of Los Caprichos, captures the essence of Francisco Goya's satirical genius. This late 18th-century color engraving is a powerful social critique that challenges the role and influence of clergy in society. In this thought-provoking image, we witness a scene filled with religious symbolism and irony. A group of beseeching figures, including monks and worshippers, are depicted praying before an idolized master. The artist's anti-clerical sentiment is evident as he exposes the dangers of blind faith and idolatry. Goya skillfully employs his signature style to convey his message. The intricate details in the engraving draw us into a world where supplication becomes synonymous with manipulation. Through this visual narrative, Goya questions the power dynamics between religious leaders and their followers. The original edition print from Bibliotheque Nationale in Paris showcases Goya's mastery as an artist and his ability to provoke critical thinking through art. It serves as a reminder that even centuries later, societal issues still resonate today. This piece invites viewers to reflect on their own beliefs and question authority while appreciating Goya's artistic brilliance. 'Obsequio a el maestro' remains an enduring testament to Goya’s legacy as one of history’s most influential artists.
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