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Costume of the Pagan Irish in the post-Roman era. 1821 (engraving)
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Costume of the Pagan Irish in the post-Roman era. 1821 (engraving)
7234695 Costume of the Pagan Irish in the post-Roman era.1821 (engraving) by Smith, Charles Hamilton (1776-1859) (after); Private Collection; (add.info.: Costume of the Pagan Irish in the post-Roman era. The subject is an initiation ceremony into the Helio-arkite religion. Irish Druid priest hydramus, minister of the sea, in white stole, and herald bard in striped trousers (truise), tunic (cotaigh), and striped hood (cochal), with baby and Irish wolf-hound. In the background, a gowlan temple and barr-chean pillar. Handcoloured aquatint by R. Havell from an illustration by Charles Hamilton Smith from Samuel Meyricks Costume of the Original Inhabitants of the British Islands, London, 1821.); © Florilegius
Media ID 25192146
© Florilegius / Bridgeman Images
Aborogines Ancientness Celt Population Celtic Celtic Style Celtics Celts Civilisation Cultural Customary Customs Customs And Traditions Ethnicity Indigineous Ireland Irish Mauri National Costume North Of Ireland Antiquit C European Economic Community C European Union Costume Design Ethnography Fancy Dress Fancy Dress Costume Inhabitant Pagan Paganism Pagans Polytheism Polytheist Societies Summer Clothes
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EDITORS COMMENTS
This print showcases the "Costume of the Pagan Irish in the post-Roman era" from 1821. The engraving, created by Charles Hamilton Smith and handcolored by R. Havell, depicts an initiation ceremony into the Helio-arkite religion. In this scene, we see an Irish Druid priest called hydramus, who serves as a minister of the sea, wearing a white stole. Accompanying him is a herald bard dressed in striped trousers (truise), tunic (cotaigh), and a striped hood (cochal). They are joined by a baby and an Irish wolf-hound. The background reveals a gowlan temple and barr-chean pillar, adding to the mystical ambiance of this ancient ritual. This image comes from Samuel Meyrick's book titled "Costume of the Original Inhabitants of the British Islands" published in London in 1821. The attire worn by these figures represents traditional costume design during that time period and offers insight into Celtic culture and pagan practices prevalent among native populations in Ireland. It provides us with glimpses into their customs, traditions, and religious beliefs. This enchanting engraving transports us back to early 19th-century Europe when ancientness was celebrated through ceremonial gatherings like this one. It serves as a reminder of our rich history and cultural heritage while highlighting Britain's connection to its Celtic roots.
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