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Britomart Unarming, c. 1855 (oil on canvas)
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Britomart Unarming, c. 1855 (oil on canvas)
658269 Britomart Unarming, c.1855 (oil on canvas) by Pickersgill, Frederick Richard (1820-1900); 127x106.7 cm; Private Collection; (add.info.: Britomart Unarming. Frederick Richard Pickersgill (1820-1900). Oil on canvas. Exhibited 1855. 127 x 106.7cm. Depicts a scene from the poem, The Faerie Queene by Edmund Spenser (c.1552-1599).); Photo eChristies Images; English, out of copyright
Media ID 23012296
© Christie's Images / Bridgeman Images
052012upload 1850s 1855 Alarmed Arm Raised Armed Arms Around Arms Raised Assist Assistance Assisting Back Back View Backview Behind Body Armour Cherubin Crouch Crouching Crouching Down Cuddling Depicting Depiction Depicts Embrace Embracing English Art English Artist Expression Facial Expression Female Garment Female God Fiction From The Back Going Back Greek Mythology Helping Heroine Hugging Human Role Little Angel Looking Down Looking Up Medium Group Medium Group Of People Mid 19th Century Mid Nineteenth Century Mythical Protective Clothing Raised Arm Rear View Return Safe Seraph Steps Suit Of Armor Suit Of Armour The Faerie Queene Touching Using Hands Victorian Art View From Behind 19th Century European Art Artist British British Artist Britomart Britomartis Cherub Ethnic Origin Frederick Richard Pickersgill Pickersgill Positive Concepts Youthful
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This print showcases "Britomart Unarming" a stunning oil on canvas painting by Frederick Richard Pickersgill. Created in 1855, the artwork measures 127x106.7 cm and is currently held in a private collection. The painting depicts a scene from Edmund Spenser's epic poem, The Faerie Queene. In this particular moment, Britomart, the female protagonist and embodiment of chastity, is shown unarming herself. She stands outdoors in a rural setting, surrounded by lush greenery and bathed in soft daylight. Dressed in armor with her helmet removed, Britomart is assisted by a young cherubin or little angel who lovingly embraces her from behind. This tender gesture symbolizes both protection and vulnerability as she lowers her arms to disarm herself. Pickersgill's meticulous attention to detail brings out the beauty of this Victorian-era artwork. The artist skillfully captures the texture of fabric and armor while portraying Britomart's serene expression as she looks down upon her helper. Through this masterpiece, Pickersgill explores themes of mythology, religion, femininity, and heroism. The composition invites viewers into an enchanting world where ancient Greek mythology intertwines with British literature. With its rich symbolism and exquisite execution, "Britomart Unarming" continues to captivate audiences today as it did when first exhibited over a century ago.
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