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The Lions Share (engraving)
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The Lions Share (engraving)
2777104 The Lions Share (engraving) by Tenniel, John (1820-1914) (after); Private Collection; (add.info.: The Lions Share. Cartoon, 26 February 1876. Illustration for Benjamin Disraeli, Earl of Beaconsfield from the Collection of Mr Punch (Punch, 1878).); Look and Learn / George Collection
Media ID 22711300
© Look and Learn / George Collection / Bridgeman Images
1876 Acquisition Benjamin Disraeli Safety Securing Share Inida The Key
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The Lion's Share - A Satirical Cartoon of Political Humour
EDITORS COMMENTS
. This print showcases the famous engraving "The Lion's Share" by John Tenniel, a renowned British artist from the 19th century. Originally published in Punch magazine on February 26,1876, this cartoon illustrates the political climate of that era with wit and satire. Depicting Benjamin Disraeli, Earl of Beaconsfield, as a lion securing his share, this artwork humorously symbolizes England's acquisition of Suez Canal shares. It cleverly comments on Britain's dominance in politics and its imperialistic endeavors during that time. Tenniel's skillful craftsmanship is evident in every detail of this satirical drawing. The comical portrayal of Disraeli as a powerful lion holding the key to safety highlights his influence over British politics. The inclusion of Germany and India adds an international dimension to the cartoon, emphasizing Britain's role as a global power. With its scathing satire and clever caricatures, "The Lion's Share" offers viewers an amusing glimpse into both British culture and European politics at large. This print captures not only Tenniel’s artistic brilliance but also serves as a historical artifact reflecting the complexities and dynamics between nations during that period. Displayed proudly in private collections worldwide, this iconic engraving continues to captivate audiences with its blend of political commentary and comedic charm. As you admire this piece from Fine Art Finder’s Bridgeman Images collection, let it transport you back to an era where art served as both entertainment and social critique.
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