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The War is Dead; La Guerre est Morte, (pencil and watercolour heightened with white)

The War is Dead; La Guerre est Morte, (pencil and watercolour heightened with white)


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The War is Dead; La Guerre est Morte, (pencil and watercolour heightened with white)

658694 The War is Dead; La Guerre est Morte, (pencil and watercolour heightened with white) by Wegener, Gerda Marie Frederike (1885-1940); 26.7x17.8 cm; Private Collection; (add.info.: The War is Dead; La Guerre est Morte. Gerda Wegener (1885-1940). Pencil and watercolour heightened with white. 26.7 x 17.8cm); Photo eChristies Images; Danish, out of copyright

Media ID 23294332

© Christie's Images / Bridgeman Images

032012upload Accessories Arm Raised Arms Raised Artist Danish Artist Scandinavian Background Bad News Blond Blond Hair Blonde Blonde Hair Blue Background Cinema Commercial Communicate Communicating Communication Equipment Danish Art Danish Artist Despair Directed Director Distress Distressed Drooping Entertained Entertainment Event Facial Feature Fair Fair Haired Film Film Director Film Industry Gerda Gottlieb Wegener Porta Gerda Wegener Ground Hair Style Hand On Head Heightened Heightening Jewelery Jewellry Jewlery Language Lettering Media Mood Movie Movies Neckwear Negative Concept Pencil Pencil Drawing Personal Accessory Pictures Publicity Raised Arm Ring Scandinavian Artist Scarf Scarves Upset Water Color Water Colour Wegener White Color Word 19th Century European Art Accessory Ethnic Origin Feeling Jewel Jewels Portrait Style Portraiture Positive Concepts


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The War is Dead; La Guerre est Morte

EDITORS COMMENTS
by Gerda Wegener captures the profound impact of war on humanity through a delicate blend of pencil and watercolor. In this print, we are drawn into a world where despair and distress prevail. The portrait-style composition focuses on a fair-haired figure with their hand resting upon their head, conveying deep emotional turmoil. The artist's meticulous attention to detail is evident in the intricate rendering of the subject's hair, facial features, and clothing. Wegener masterfully uses white highlights to enhance certain elements within the artwork, emphasizing the communication equipment and jewelry worn by the figure. These symbols serve as reminders of how media and material possessions can be both tools for relief and sources of negative concepts during times of conflict. The background consists of subtle lettering that adds another layer to the narrative - perhaps referencing film industry or advertising influences prevalent during Wegener's time. This juxtaposition between personal anguish and external forces further emphasizes the artist's exploration of human emotion amidst societal upheaval. Through her unique artistic style, Wegener invites viewers to contemplate not only the physical devastation caused by war but also its psychological toll on individuals. "The War is Dead; La Guerre est Morte" serves as a poignant reminder that even in moments when hope seems lost, art has the power to convey complex emotions and provoke introspection about our shared history.

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