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St Jermain, Cornwall, the seat of the Earl St. Germain, 1825 (engraving)
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St Jermain, Cornwall, the seat of the Earl St. Germain, 1825 (engraving)
5912998 St.. Jermain, Cornwall, the seat of the Earl St. Germain, 1825 (engraving) by British School, (19th century); (add.info.: Saltram House, Plymouth, Devon, seat of John Parker, 1st Baron Boringdon. Georgian country house with interior by architect Robert Adam. Handcoloured copperplate engraving after an illustration by F.W.L. Stockdale from Rudolph Ackermanns Repository of Arts, London, 1825.); © Florilegius
Media ID 25055176
© Florilegius / Bridgeman Images
Devon Landed Gentry Plymouth Regency Repository Of Arts Robert Adam Rudolph Ackermann Stockdale Architects Copperplate Engraving Handcoloured John Parker
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EDITORS COMMENTS
The captivating engraving titled "St. Jermain, Cornwall, the seat of the Earl St. Germain, 1825" takes us back to a bygone era of grandeur and architectural splendor. This exquisite artwork showcases Saltram House in Plymouth, Devon, which was the esteemed residence of John Parker, 1st Baron Boringdon. As we gaze upon this Georgian country house through the skilled hand of F. W. L. Stockdale's illustration and Rudolph Ackermann's copperplate engraving technique, we are transported into a world where opulence meets refined taste. The interior design by renowned architect Robert Adam is nothing short of breathtaking. Handcolored with meticulous attention to detail, this print captures every intricate aspect of Saltram House's regal charm. Its elegant architecture stands as a testament to the aristocracy and landed gentry who once inhabited its halls. This artwork not only celebrates the skillful craftsmanship that went into creating such an architectural masterpiece but also offers us a glimpse into a society defined by privilege and prestige. With its rich history and undeniable beauty, "St. Jermain, Cornwall" invites us to appreciate the artistry behind these stately homes while reflecting on an era long past. It serves as a reminder that even in our modern world, there is still much to be admired from centuries-old works of art like this enchanting engraving.
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