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La Caricature (1830) politique, number 131, Satirique en Couleurs, 1833_5_9: Cabinet d'histoire naturelle - Before 1870 - Snakes, Turkey, Turtle - Illustration by Jean Ignace Gerard (Grandville) (1803-1847)
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La Caricature (1830) politique, number 131, Satirique en Couleurs, 1833_5_9: Cabinet d'histoire naturelle - Before 1870 - Snakes, Turkey, Turtle - Illustration by Jean Ignace Gerard (Grandville) (1803-1847)
ICA4931459 La Caricature (1830) politique, number 131, Satirique en Couleurs, 1833_5_9: Cabinet d'histoire naturelle - Before 1870 - Snakes, Turkey, Turtle - Illustration by Jean Ignace Gerard (Grandville) (1803-1847); (add.info.: La Caricature (1830) politique, number 131, Satirique en Couleurs, 1833_5_9: Cabinet d'histoire naturelle - Before 1870 - Snakes, Turkey, Turtle - Illustration by Jean Ignace Gerard (Grandville) (1803-1847)); Photo © Caricadoc
Media ID 38105704
© © Caricadoc / Bridgeman Images
Animalization Collection Grandville 1803 47 Grandville Jean Ignace Isidore Gerard Naturalist Taxidermy Caricadoc
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EDITORS COMMENTS
This print from La Caricature (1830) politique, created by the talented illustrator Jean Ignace Gerard (Grandville), takes us back to a time of political satire and artistic brilliance. The detailed illustration depicts a Cabinet d'histoire naturelle, showcasing an array of animals including snakes, a turkey, and a turtle. Grandville's skillful hand brings these creatures to life in vivid color and intricate detail.
The satirical nature of this piece is evident in the way Grandville blends elements of natural history with political commentary. Through his artistry, he cleverly intertwines the worlds of science and politics, creating a thought-provoking image that challenges viewers to think beyond the surface level.
As we gaze upon this historical print, we are transported to a time before 1870 when caricature was used as a powerful tool for social commentary. The whimsical yet pointed portrayal of these animals serves as a reminder of the complex relationship between humans and the natural world.
Overall, this print is not just an illustration but a window into the past—a glimpse into an era where art and politics intersected in fascinating ways. It stands as a testament to Grandville's talent and creativity, leaving us captivated by its beauty and depth.
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