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Satire on Kaiser Wilhelm IIs visit to Tangier in 1905. Illustration for Le Rire (colour litho)

Satire on Kaiser Wilhelm IIs visit to Tangier in 1905. Illustration for Le Rire (colour litho)


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Satire on Kaiser Wilhelm IIs visit to Tangier in 1905. Illustration for Le Rire (colour litho)

2786082 Satire on Kaiser Wilhelm IIs visit to Tangier in 1905. Illustration for Le Rire (colour litho) by Leandre, Charles (1862-1934); Private Collection; (add.info.: Satire on Kaiser Wilhelm IIs visit to Tangier in 1905, which sparked the Moroccan Crisis. Illustration for Le Rire, 15 April 1905.); © Look and Learn

Media ID 22997812

© Look and Learn / Bridgeman Images

Chaos Diplomacy Foreign Policy Kaiser Le Rire Moroccan Morocco Sultan Tangier Visiting Wilhelm Ii Caricatures


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> Europe > Germany > Politics

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> Fine Art Finder > Artists > Charles Leandre


EDITORS COMMENTS
This colorful lithograph captures a satirical moment in history, depicting Kaiser Wilhelm II's visit to Tangier in 1905. The illustration, created by Charles Leandre for the French magazine Le Rire, humorously portrays the chaos and political implications of this significant event. The image showcases the Kaiser riding on a donkey through the streets of Tangier, surrounded by a comical entourage. With exaggerated features and humorous expressions, Leandre's caricature emphasizes the absurdity of Wilhelm II's visit and its impact on international relations. Wilhelm II's trip to Tangier sparked what became known as the Moroccan Crisis, as it raised tensions between Germany and France over control of Morocco. This satirical cartoon cleverly highlights these diplomatic struggles while also poking fun at both German and French involvement. Through its witty commentary and amusing depiction of royalty navigating unfamiliar territory, this artwork offers a scathing satire on European politics during that time. It serves as a reminder of how cartoons can be powerful tools for social commentary, shedding light on complex issues with humor and creativity. Overall, this print provides an insightful glimpse into early 20th-century foreign policy dynamics while showcasing the talent of Charles Leandre as he skillfully combines artistry with political satire.

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