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Death and the Peddler, c. 1710 (finely hand-coloured etching)
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Death and the Peddler, c. 1710 (finely hand-coloured etching)
986273 Death and the Peddler, c.1710 (finely hand-coloured etching) by Merian, Matthaus, the Elder (1593-1650); 19.5x16 cm; Private Collection; (add.info.: Death and the Peddler. From Todten-Tantz, containing 42 etchings of Dance of Death scenes. Matthaeus Merian, the Elder (1593-1650). Finely hand-coloured etching. Printed and painted circa 1710. 19.5 x 16cm.); Photo eChristies Images; Swiss, out of copyright
Media ID 23293066
© Christie's Images / Bridgeman Images
1710 1710s Active Artist Swiss Client Customer Early Eighteenth Century Etching Gesture Gesturing Hand Colored Hand Coloring Hand Coloured Hand Colouring Hand Gesture Hand Movement Hand Tinted Handcolored Human Role Language Lettering Merian Negative Concept One Man Only Peddler Physical Activity Pose Posed Posing Prints Seller Shielding Eyes Skeleton Street Seller Street Trader Street Vendor Swiss Artist Vendor Wares Word Handcoloured Mortality Occupation
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EDITORS COMMENTS
This finely hand-coloured etching, titled "Death and the Peddler" captures a haunting scene from the early 18th century. Created by Swiss artist Matthaus Merian the Elder, this print is part of his series called Todten-Tantz, which features 42 etchings depicting Dance of Death scenes. In this particular image, we see a lone street vendor standing in front of Death himself. The negative concept of mortality is vividly portrayed as Death shields his eyes from the peddler's wares. The man is posed with an active hand gesture, seemingly unaware of his impending fate. The hand tinting adds depth to the composition, highlighting the vibrant colors and intricate details throughout. The street trader's full-length figure dominates the frame while customers pass by in the background. Merian's skillful execution captures both physical activity and human emotion within this single image. The skeleton-like figure of Death serves as a reminder that life is fleeting and that death comes for us all eventually. This piece invites viewers to contemplate their own mortality while appreciating Merian's artistic talent. It stands as a testament to European artistry during the early eighteenth century and continues to captivate audiences today with its powerful imagery and thought-provoking message about life's transience.
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