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The skeleton of Death in cloak and cap drives a two-horse carriage as it crashes into roadworks killing his passenger, a court officer. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann
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The skeleton of Death in cloak and cap drives a two-horse carriage as it crashes into roadworks killing his passenger, a court officer. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann
FLO4690386 The skeleton of Death in cloak and cap drives a two-horse carriage as it crashes into roadworks killing his passenger, a court officer. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816. by Rowlandson, Thomas (1756-1827); (add.info.: The skeleton of Death in cloak and cap drives a two-horse carriage as it crashes into roadworks killing his passenger, a court officer. Handcoloured copperplate drawn and engraved by Thomas Rowlandson from The English Dance of Death, Ackermann, London, 1816.); © Florilegius
Media ID 25905290
© Florilegius / Bridgeman Images
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EDITORS COMMENTS
In this and macabre image, we are transported back to 19th century England. The handcoloured copperplate print by Thomas Rowlandson depicts a chilling scene from "The English Dance of Death". Here, the skeleton of Death himself is portrayed as a driver, donning a cloak and cap, in charge of a two-horse carriage. However, tragedy strikes as the carriage crashes into roadworks on the street. The unfortunate passenger is none other than a court officer who meets his untimely demise in this ghastly accident. This allegorical representation serves as a reminder that death can come unexpectedly and without warning. Rowlandson's intricate engraving showcases his skillful artistry and attention to detail. The vibrant colors bring life to an otherwise morbid subject matter, adding an eerie beauty to the composition. This artwork not only captures the imagination but also offers insight into societal themes prevalent during that era. It explores concepts such as mortality, labor conditions, population growth, and even touches upon British culture at the time. "The Skeleton of Death in Cloak and Cap Drives a Two-Horse Carriage" is both thought-provoking and visually striking. It stands as a testament to Rowlandson's talent for creating powerful imagery that continues to captivate audiences centuries later.
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