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The Cavalry. Painting by Martin Schongauer (1453-1491). Colmar, Unterlinden Museum

The Cavalry. Painting by Martin Schongauer (1453-1491). Colmar, Unterlinden Museum


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The Cavalry. Painting by Martin Schongauer (1453-1491). Colmar, Unterlinden Museum

LRI4611349 The Cavalry. Painting by Martin Schongauer (1453-1491). Colmar, Unterlinden Museum by Schongauer, Martin (1440-91); Unterlinden Museum, Colmar, France; (add.info.: The Cavalry. Painting by Martin Schongauer (1453-1491). Colmar, Unterlinden Museum); Luisa Ricciarini

Media ID 25904636

© Luisa Ricciarini / Bridgeman Images

Apotre Chain Condemnation Crown Of Thorns Cudgel Fortification Lance Passion Saint John Scale 15th 15 Xv Xvth Fifteenth Century Aureole Bible Story Biblical Events Biblical Scene Early Xv Century Late Xv Century Prisoner


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The Cavalry

EDITORS COMMENTS
by Martin Schongauer is a captivating painting that transports viewers to the medieval era. This masterpiece, housed in the Unterlinden Museum in Colmar, France, showcases Schongauer's exceptional talent and attention to detail. The scene depicted in this artwork is filled with intensity and drama. The central figure of Jesus Christ stands condemned, surrounded by a crowd of onlookers. The artist skillfully captures the violence and chaos of the moment as soldiers on horseback brandish their lances while others hold cudgels. Amidst this tumultuous scene, symbols of Christian faith are scattered throughout. The crown of thorns adorns Jesus' head, reminding us of his impending crucifixion. The Virgin Mary gazes upon her son with sorrowful eyes, emphasizing the emotional weight of this biblical event. Schongauer's meticulous brushwork brings every element to life - from the intricate armor worn by the cavalrymen to the fortification walls in the background. Through his masterful use of light and shadow, he creates a sense of depth that draws viewers into this historical tableau. This print captured by Luisa Ricciarini beautifully preserves Schongauer's original work for all art enthusiasts to appreciate. It serves as a testament to both Schongauer's artistic genius and Ricciarini's skillful photography.

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