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Portrait of Colonel David La Touche of Marcey with the Amphitheatre of Taormina

Portrait of Colonel David La Touche of Marcey with the Amphitheatre of Taormina


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Portrait of Colonel David La Touche of Marcey with the Amphitheatre of Taormina

BAL45650 Portrait of Colonel David La Touche of Marcey with the Amphitheatre of Taormina and Etna Behind by Tonelli, Anna Nistri (fl.1794-97); Rafael Valls Gallery, London, UK; Italian, out of copyright

Media ID 12891924

© www.bridgemanimages.com

Bank Of Ireland Banker Banking Dublin Grand Tour Huguenot Mount


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> Arts > Portraits

> Arts > Street art graffiti > Portraits > Fine art

> Europe > Italy > Sicily > Taormina

> Europe > Republic of Ireland > Dublin

> Europe > United Kingdom > England > London > Related Images

> Fine Art Finder > Men 18th Century


EDITORS COMMENTS
This portrait captures the essence of Colonel David La Touche of Marcey during his grand tour in Taormina, Italy. Painted by Anna Nistri Tonelli, a talented Italian artist from the late 18th century, this print showcases her remarkable skill in capturing both the subject's likeness and the breathtaking backdrop. Colonel La Touche stands proudly in front of the magnificent Amphitheatre of Taormina, with Mount Etna majestically rising behind him. The composition beautifully juxtaposes his refined presence against nature's awe-inspiring power. His confident gaze and dignified posture reflect his status as an influential Irish banker from Dublin. As a member of the prominent Huguenot family, La Touche played a significant role in shaping Ireland's banking industry. He was associated with the Bank of Ireland and held high positions within its ranks. This portrait not only celebrates his achievements but also symbolizes his connection to both finance and adventure through its depiction on his grand tour. The print is part of Rafael Valls Gallery's collection in London, UK – a testament to its artistic value and historical significance. With copyright no longer applicable due to its age, this image serves as a window into an era when artistry met exploration and finance merged with culture.

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