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Allegory of the obedience (Fresco, 1334)

Allegory of the obedience (Fresco, 1334)


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Allegory of the obedience (Fresco, 1334)

LRI4575294 Allegory of the obedience (Fresco, 1334) by Giotto (Giotto di Bondone) (c.1266-1337); San Francesco, Lower Church, Assisi, Italy; (add.info.: Allegory of the obedience Fresco by Giotto da Bondone (1267-1337) 1334 Assisi Basilica di San Francesco (Basilica of Saint Francois), Chiesa Inferiore (Lower Church)); Luisa Ricciarini; Italian, out of copyright

Media ID 22287130

© Luisa Ricciarini / Bridgeman Images

Basilica Of Saint Francois Of Assisi Franciscan Obedience Trecento


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> Europe > Italy > Umbria > Assisi

> Fine Art Finder > Artists > Angelo Inganni

> Fine Art Finder > Artists > Giotto (c.1266-1337)


EDITORS COMMENTS
This print captures the essence of Giotto's "Allegory of the obedience" fresco, painted in 1334. Located in the Lower Church of San Francesco in Assisi, Italy, this masterpiece by Giotto di Bondone depicts a profound allegorical scene. The image showcases the intricate details and skillful brushwork that Giotto is renowned for. The fresco portrays members of the clergy engaged in acts of obedience, symbolizing their commitment to religious order and faith. Each figure exudes a sense of solemnity and devotion as they carry out their duties within the church. Luisa Ricciarini expertly captures this timeless artwork through her lens, emphasizing its historical significance and artistic brilliance. The monochromatic tones add depth to every line and contour, enhancing our appreciation for Giotto's mastery. As we gaze upon this photograph, we are transported back to the Trecento period, also known as the Italian Middle Ages. It serves as a reminder of how art has always played an integral role in conveying spiritual messages throughout history. This print is not only a testament to Giotto's genius but also an homage to Italian culture and heritage. It invites us to reflect on themes such as obedience, religion, and faith while marveling at one artist's ability to capture them all within a single fresco.

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