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The Agony in the Garden, c. 1380 (egg tempera & gold leaf on wood panel)

The Agony in the Garden, c. 1380 (egg tempera & gold leaf on wood panel)


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The Agony in the Garden, c. 1380 (egg tempera & gold leaf on wood panel)

3247760 The Agony in the Garden, c.1380 (egg tempera & gold leaf on wood panel) by Vanni, Andrea (c.1332-c.1414); 47x23.8 cm; Corcoran Collection, National Gallery of Art, Washington D.C. USA; (add.info.: Scenes from the Passion of Christ: left panel of triptych.
The night before his crucifixion, Jesus prays for the strength to endure his impending persecution.); Italian, out of copyright

Media ID 18259311

© Corcoran Collection, National Gallery of Art, Washington D.C., USA / Bridgeman Images

Altarpiece Crucifixion Disciples Early Renaissance Gethsemane Gilded Gospels Jerusalem Mount Of Olives Panel Sienese Triptych


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EDITORS COMMENTS
This print showcases "The Agony in the Garden" a remarkable piece of art created by Vanni, Andrea during the early Renaissance period. Painted with egg tempera and adorned with gold leaf on wood panel, this masterpiece measures 47x23.8 cm and is part of the Corcoran Collection at the National Gallery of Art in Washington D. C. , USA. The image depicts a pivotal moment from the Passion of Christ, specifically capturing Jesus praying for strength on the night before his crucifixion. Set against the backdrop of Jerusalem's Mount of Olives, this scene portrays Jesus' deep anguish as he prepares himself mentally and spiritually for what lies ahead. With its intricate details and gilded accents, this Italian artwork exemplifies both religious devotion and artistic excellence. It forms one panel of a larger triptych altarpiece that narrates different stages leading up to Jesus' crucifixion. "The Agony in the Garden" invites viewers to reflect upon themes such as faith, sacrifice, and resilience. Its portrayal of disciples witnessing their leader's vulnerability adds depth to our understanding of biblical narratives found in the Gospels. As we contemplate this painting within its historical context, it serves as a profound reminder not only of Jesus Christ's journey but also highlights significant contributions made by Sienese artists like Vanni during this era.

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