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The Martyrdom of St. Christopher, detail of the buildings, c. 1450-56 (fresco)

The Martyrdom of St. Christopher, detail of the buildings, c. 1450-56 (fresco)


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The Martyrdom of St. Christopher, detail of the buildings, c. 1450-56 (fresco)

XAL257173 The Martyrdom of St. Christopher, detail of the buildings, c.1450-56 (fresco) by Mantegna, Andrea (1431-1506); Ovetari Chapel, Eremitani Church, Padua, Italy; (add.info.: matyre de Saint Christophe; see 331667 for detail; see also 433489; ); Italian, out of copyright

Media ID 12773997

© www.bridgemanart.com

Grotesques Leaning Nocturne Scaffolding Windowsill Martyr


FEATURES IN THESE COLLECTIONS

> Architecture > Churches

> Architecture > Country > Italy > Related Images

> Arts > Art Movements > Renaissance Art

> Arts > Artists > M > Andrea Mantegna

> Europe > Italy > Padua

> Europe > Italy > Veneto > Padua

> Fine Art Finder > Artists > Andrea Mantegna

> Historic > Medieval architecture > Sculptures, reliefs, and carvings > Renaissance architecture

> Historic > Renaissance art > Italian Renaissance art

> Historic > Renaissance art

> Italian renaissance art


EDITORS COMMENTS
This print showcases a mesmerizing detail from "The Martyrdom of St. Christopher" fresco, painted by the renowned Italian artist Andrea Mantegna in the mid-15th century. The scene depicts an intense moment as St. Christopher faces his martyrdom, surrounded by a stunning architectural backdrop. In this particular section of the artwork, our attention is drawn to the intricate depiction of buildings that form the setting for this tragic event. Mantegna's meticulous brushstrokes bring life to every stone and window, creating a sense of depth and realism within the composition. As we peer into this snapshot from history, we see spectators leaning out of windowsills and standing on scaffolding to witness St. Christopher's fate unfold before their eyes. Their presence adds an urban atmosphere to the scene, emphasizing that this dramatic event takes place within a bustling cityscape. The inclusion of grotesques adorning some buildings' facades adds an intriguing touch to the overall composition, showcasing Mantegna's attention to detail even in elements not directly related to the main subject matter. This print invites us into a nocturnal world where darkness envelops everything except for selective areas illuminated by torchlight or moonbeams. It captures both awe-inspiring architecture and human emotions frozen in time – a testament to Mantegna's mastery as one of Renaissance art's most celebrated painters.

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