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The wolf bent-on, meeting Little Red Riding Hood, published by H R Robinson, New York, c
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The wolf bent-on, meeting Little Red Riding Hood, published by H R Robinson, New York, c
AQS336618 The wolf bent-on, meeting Little Red Riding Hood, published by H R Robinson, New York, c.1840 (litho) by American School, (19th century); 33.9x24.9 cm; American Antiquarian Society, Worcester, Massachusetts, USA; (add.info.: Thomas Hart Benton (1782-1858) depicted as a wolf, offers mint drops (gold coins) to Martin Van Buren (1782-1862) disguised as Riding Hood. Imprint: New York: H.R. Robinson, [ca. 1840]; ); eCourtesy, American Antiquarian Society; American, out of copyright
Media ID 23709650
© Courtesy, American Antiquarian Society / Bridgeman Images
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The Wolf's Political Offerings - A Satirical Depiction of 19th Century American Politics
EDITORS COMMENTS
. This lithograph, titled "The wolf bent-on, meeting Little Red Riding Hood" published by H R Robinson in New York around 1840, offers a fascinating glimpse into the political landscape of the time. The artwork measures approximately 33.9x24.9 cm and is housed at the American Antiquarian Society in Worcester, Massachusetts. In this clever cartoon, Thomas Hart Benton takes on the persona of a cunning wolf while Martin Van Buren disguises himself as Little Red Riding Hood. The scene unfolds with the wolf offering mint drops or gold coins to Van Buren as they meet amidst a backdrop of intrigue and disguise. This satirical piece sheds light on the complex nature of American politics during that era. It serves as a commentary on power dynamics and hidden agendas within political circles. Through humor and caricature, it exposes the often deceptive nature of those who hold positions of influence. As an engraving from 19th century America, this artwork captures an important moment in United States history. Its significance lies not only in its artistic merit but also in its ability to provoke thought and discussion about political satire and social commentary. Displayed here courtesy of the American Antiquarian Society and Bridgeman Images, this print invites viewers to reflect upon how art can serve as a powerful tool for critiquing society's norms and challenging established power structures.
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