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The Coward Comforted, published by James Aitken, 1789 (coloured engraving)
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The Coward Comforted, published by James Aitken, 1789 (coloured engraving)
NCO253708 The Coward Comforted, published by James Aitken, 1789 (coloured engraving) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: A Scene immediately after the Duel; William Pitt (1759-1806), Lady Charlotte Gordon mistress of Charles Lennox, 4th Duke of Richmond and Lennox (1735-1806) (to the right), and Charles Lennox, his uncle, 3rd Duke of Richmond and Lennox (1764-1819); Charles was involved in a duel with Frederick, Duke of York and Albany (1763-1827) who had accused him of ungentlemanly behaviour; Charles was eventually removed from the Army after conflicts with his superiors; made Governor General of Canada for one year in 1818; ); English, out of copyright
Media ID 22951680
© Bridgeman Images
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The Coward Comforted
EDITORS COMMENTS
is a captivating coloured engraving published by James Aitken in 1789, created by the talented artist James Gillray. This intriguing artwork, courtesy of the Warden and Scholars of New College, Oxford, presents us with a scene immediately after a duel. In this satirical portrayal, we witness William Pitt, Lady Charlotte Gordon (mistress of Charles Lennox), and Charles Lennox himself. The focus lies on Charles Lennox as he seeks solace following his involvement in a duel with Frederick, Duke of York and Albany. The dispute arose from accusations of ungentlemanly behavior made against him. The image captures the essence of aristocratic society during the Georgian era. It serves as both a caricature and commentary on the complexities within this privileged class. Through clever symbolism and exaggerated features, Gillray masterfully conveys themes such as cowardice, comfort-seeking behaviors among aristocrats. Charles Lennox's eventual removal from the Army due to conflicts with superiors further adds depth to this narrative. Interestingly enough, despite these setbacks in his military career, he would later serve as Governor General of Canada for one year in 1818. This finely detailed engraving not only showcases Gillray's artistic prowess but also offers viewers an insightful glimpse into historical events intertwined with social satire. Its intricate composition invites contemplation about power dynamics within aristocracy while highlighting individual character flaws that transcend time.
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