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Une denonciation au Boyard (boiard, boiar) (To The Boyar With A Denunciation). Durant les temps de troubles (1598-1613) sous le regne du tsar Ivan IV le Terrible (1530-1584), dans le grand duche de Moscou, un homme, tenant un papier plie a la main
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Une denonciation au Boyard (boiard, boiar) (To The Boyar With A Denunciation). Durant les temps de troubles (1598-1613) sous le regne du tsar Ivan IV le Terrible (1530-1584), dans le grand duche de Moscou, un homme, tenant un papier plie a la main
FIA5338247 Une denonciation au Boyard (boiard, boiar) (To The Boyar With A Denunciation). Durant les temps de troubles (1598-1613) sous le regne du tsar Ivan IV le Terrible (1530-1584), dans le grand duche de Moscou, un homme, tenant un papier plie a la main, parle avec discretion a l oreille d un aristocrate, l air attentif et soucieux. Peinture de Klavdi Vasilyevich Lebedev (1852-1916), huile sur toile, 1904. Art russe, debut 20e siecle. State Tretyakov Gallery, Moscou. by Lebedev, Klavdiy Vasilievich (1852-1916); State Tretyakov Gallery, Moscow; Photo © Fine Art Images
Media ID 24739372
© Fine Art Images / Bridgeman Images
Accusation Procecution Anxiety Betrayal Confidence Curiosity Moscow Conversation Thinking
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EDITORS COMMENTS
This print titled "Une denonciation au Boyard (To The Boyar With A Denunciation)" takes us back to the troubled times of 16th century Russia under the reign of Tsar Ivan IV, also known as Ivan the Terrible. In this grand duchy of Moscow, an anxious man discreetly speaks into the ear of a concerned aristocrat while holding a folded paper in his hand. Painted by Klavdi Vasilyevich Lebedev in 1904, this oil on canvas artwork beautifully captures a moment filled with tension and intrigue. The colors and brushstrokes used by Lebedev evoke a sense of anxiety and deep thought that permeates through the entire composition. As we gaze at this painting, we can't help but wonder about the nature of their conversation - is it one of betrayal or accusation? What secrets are being shared behind closed doors? Through this piece, Lebedev invites us to delve into Russian history and explore themes such as communication, trust, and societal dynamics within aristocratic circles. It serves as a visual narrative that transports us to another era where power struggles were rife and every word spoken had consequences. Displayed at the State Tretyakov Gallery in Moscow, this artwork stands as a testament to both Russian artistry and historical significance. Its vibrant colors and attention to detail make it an invaluable addition to any collection dedicated to early 20th-century Russian art.
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