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Eagle Cliff, Franconia Notch, New Hampshire, 1858 (oil on canvas, mounted on panel)
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Eagle Cliff, Franconia Notch, New Hampshire, 1858 (oil on canvas, mounted on panel)
3576963 Eagle Cliff, Franconia Notch, New Hampshire, 1858 (oil on canvas, mounted on panel) by Cropsey, Jasper Francis (1823-1900); 60.8x98.8 cm; North Carolina Museum of Art, Raleigh, USA; (add.info.:); Purchased with funds from the State of North Carolina; American, out of copyright
Media ID 22725888
© Purchased with funds from the State of North Carolina / Bridgeman Images
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EDITORS COMMENTS
This print showcases "Eagle Cliff, Franconia Notch, New Hampshire" painted by Jasper Francis Cropsey in 1858. The artwork, created with oil on canvas and mounted on panel, measures 60.8x98.8 cm and is currently housed at the North Carolina Museum of Art in Raleigh, USA. The painting transports viewers to the breathtaking landscapes of Franconia Notch during the mid-19th century. With meticulous brushstrokes and a keen eye for detail, Cropsey captures the majestic beauty of this American mountain range. The towering Eagle Cliff dominates the composition, its rugged cliffs reaching towards an expansive sky filled with wispy clouds. As settlers ventured into these untamed lands seeking new opportunities and a connection with nature's grandeur, Cropsey's masterpiece immortalizes their journey. The painting evokes a sense of awe and wonderment as one contemplates the vastness of nature juxtaposed against human presence. Purchased with funds from the State of North Carolina, this artwork holds historical significance as it represents both artistic excellence and cultural heritage. Its inclusion in the collection at North Carolina Museum of Art allows visitors to appreciate not only Cropsey's skillful technique but also gain insight into America's pioneering spirit. Through this print provided by Bridgeman Images' Fine Art Finder platform, art enthusiasts can now bring home a piece that encapsulates both natural splendor and human exploration within one frame—a testament to our enduring fascination with landscapes throughout history.
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