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The coronation of the Virgin, 1496-1504 (oil on wood)
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The coronation of the Virgin, 1496-1504 (oil on wood)
LRI4652258 The coronation of the Virgin, 1496-1504 (oil on wood) by Sittow, Michiel (1469-1525); Louvre, Paris, France; (add.info.: The coronation of the Virgin; The Virgin blessed by the Trinity (God, Christ and the Holy Spirit) above her, angels lay the crown on her head; Painting by Michel Sittow (ca. 1470-ca. 1525), 1496-1504; Oil on wood; Sun: 0.24 x 0.18m; Paris, Musee Du Louvre); Luisa Ricciarini; Netherlandish, out of copyright
Media ID 23323912
© Luisa Ricciarini / Bridgeman Images
Coronation Dove Prostration Sacre Scepter Strone Trinite
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EDITORS COMMENTS
This print showcases "The Coronation of the Virgin" a remarkable oil painting created by Michiel Sittow between 1496 and 1504. Housed in the prestigious Louvre Museum in Paris, France, this masterpiece depicts the moment when the Virgin Mary is crowned by the Holy Trinity – God, Christ, and the Holy Spirit. As heavenly angels gently place a crown upon her head, divine light illuminates her serene face. Michel Sittow's attention to detail is evident in every brushstroke of this Netherlandish artwork. The rich colors and intricate patterns on wood create a sense of depth and realism that transports viewers into this sacred scene. Surrounding Mary are various biblical symbols such as doves representing peace, animals signifying purity, and angels embodying celestial beings. "The Coronation of the Virgin" serves as an exquisite testament to religious devotion during the 15th century. It evokes feelings of awe and reverence for its spiritual subject matter while showcasing Sittow's exceptional artistic talent. This print captures not only a historical masterpiece but also invites contemplation on faith and divinity. Luisa Ricciarini beautifully preserves this iconic artwork through her photography skills, allowing art enthusiasts worldwide to appreciate its beauty beyond museum walls. Through her lens, she immortalizes Michel Sittow's legacy while honoring his contribution to art history with utmost respect.
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