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The Imperial Stride, 1815 (coloured engraving)

The Imperial Stride, 1815 (coloured engraving)


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The Imperial Stride, 1815 (coloured engraving)

1249018 The Imperial Stride, 1815 (coloured engraving) by French School, (19th century); BibliothAque Paul-Marmottan, Ville de Boulogne-Billancourt, Academie des Beaux-Arts, France; (add.info.: L Enjambee Imperiale); eBibliotheque Marmottan, Paris; French, out of copyright

Media ID 23418182

© Bibliotheque Marmottan, Paris / Bridgeman Images

Exile Exiled Napoleon Bonaparte Returning Stride Striding Telescope Telescopes Uniformed Island Of Elba


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> Arts > Artists > G > Adrien Pierre Francois Godefroy

> Arts > Artists > G > Francois Godefroy

> Arts > Pop art > Satire > Satirical artwork

> Europe > France > Boulogne-Billancourt

> Europe > France > Military

> Europe > France > Paris > Related Images

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> Fine Art Finder > Artists > French School

> Fine Art Finder > Napoleon & Napoleonic Wars


The Imperial Stride, 1815 - A Satirical Depiction of Napoleon Bonaparte's Return from Exile

EDITORS COMMENTS
. This coloured engraving, titled "The Imperial Stride" offers a satirical portrayal of the infamous French Emperor Napoleon Bonaparte. Created by an anonymous artist from the 19th century French School, this print captures a pivotal moment in history. Depicted in his distinctive uniform and brandishing a sword, Napoleon is shown striding confidently on the island of Elba. With telescopes in hand, he watches intently as his former empire lies before him. The artist skillfully employs caricature to highlight both the grandiosity and folly of Napoleon's ambitions. Symbolism abounds within this artwork - the flag fluttering behind him represents his desire to reclaim France while also serving as a reminder of his military prowess. The exaggerated stride emphasizes his determination to regain power and influence over Paris. "The Imperial Stride" serves as a poignant commentary on Napoleon's exile and subsequent return to France. It exposes the complexities surrounding power dynamics and political satire during that era. Now housed at Bibliothèque Paul-Marmottan in Ville de Boulogne-Billancourt, Académie des Beaux-Arts, France; this engraving continues to captivate viewers with its intricate details and thought-provoking narrative. It stands as a testament to both artistic expression and historical documentation – reminding us of one man's audacious quest for dominance amidst tumultuous times.

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