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Of predestynacion, illustration from Alexander Barclays English translation
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Of predestynacion, illustration from Alexander Barclays English translation
XJF486449 Of predestynacion, illustration from Alexander Barclays English translation of The Ship of Fools, from an edition published in 1874 (engraving) by German School, (15th century) (after); Private Collection; (add.info.: Alexander Barclay (c.1476-1552) Scottish born English poet, translated Sebastian Brandts (1457-1521) Das Narrenschiff, as The Ship of Fools in 1509. Image is a facsimile of the original German woodcut of 1497 and shows a fool riding a lobster. ); German, out of copyright
Media ID 12913601
© www.bridgemanart.com
1497 1509 Alexander Barclay Brandt Brandts Fool Foolish Foolishness Fools Jester Lobster Narrenschiff Sebastian Translation Vice Vices Woodcut
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This print captures an illustration from Alexander Barclay's English translation of "The Ship of Fools" published in 1874. The original woodcut, created by the German School in the 15th century, depicts a scene titled "Of predestynacion". This satirical image is a facsimile of the German woodcut from 1497 and showcases a fool riding atop a lobster. Alexander Barclay, a Scottish-born English poet, translated Sebastian Brandt's renowned work "Das Narrenschiff" into English as "The Ship of Fools" in 1509. This particular illustration highlights one of the vices explored within the book - foolishness. The jester-like figure perched on the back of a lobster symbolizes human folly and irrational behavior. Through its intricate details and masterful engraving technique, this image serves as both social commentary and entertainment for viewers. It offers insight into society's perception of vice during the 16th century while providing amusement through its whimsical depiction. Displayed in private collections worldwide, this print allows art enthusiasts to appreciate not only Barclay's skillful translation but also the enduring impact of Brandt's original work. As we gaze upon this intriguing piece, we are reminded that even centuries later, satire remains an effective tool for reflecting upon human nature and our inherent follies.
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