Of folysshe Fesycyans and unlerned that onely folowe paractyke knowynge nought of

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Of folysshe Fesycyans and unlerned that onely folowe paractyke knowynge nought of

XJF486447 Of folysshe Fesycyans and unlerned that onely folowe paractyke knowynge nought of the speculacyon of theyr faculte, illustration from Alexander Barclays English translation of The Ship of Fools, from an edition published in 1874 (engraving) by German School, (15th century) (after); Private Collection; (add.info.: Alexander Barclay (c.1476-1552) Scottish born English poet, translated Sebastian Brandts (1457-1521) Das Narrenschiff, as The Ship of Fools in 1509. Image is a facsimile of the original German woodcut of 1497 and shows a foolish doctor treating a dying man. Foolishness of only doing things by the book and not trusting your own judgement.); German, out of copyright

Media ID 12913603

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1497 1509 Alexander Barclay Brandt Brandts Emaciated Faculties Follow Fool Foolish Foolishness Fools Narrenschiff Nought Physicians Practical Sebastian Sick Speculation Theyr Translation Treating Treatment Vice Vices Dying Faculte

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EDITORS COMMENTS
This print from the 15th century depicts a scene of foolishness and ignorance in the medical field. Taken from Alexander Barclay's English translation of "The Ship of Fools" this illustration highlights the folly of physicians who solely rely on practical experience, lacking any understanding or speculation of their own faculties. In this image, we witness a dying man lying on his sickbed while a foolish doctor attends to him. The emaciated figure portrays the severity of the patient's condition, emphasizing the urgency for proper treatment. However, instead of employing sound medical judgment, the doctor mindlessly follows established practices without questioning their effectiveness. The message conveyed through this artwork is clear: blind adherence to tradition and reluctance to explore new possibilities can lead to disastrous consequences. It serves as a reminder that true wisdom lies not only in practical knowledge but also in critical thinking and personal judgment. Alexander Barclay's translation was based on Sebastian Brandt's original work published in 1497. This facsimile captures an authentic German woodcut that showcases both satire and vice prevalent during that era. As we reflect upon this image today, it prompts us to question our own reliance on established norms and encourages us to trust our own judgment rather than blindly following outdated practices.

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