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Two novice monks walking towards unfinished Pahtodawgyi pagoda known for a crack caused
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Two novice monks walking towards unfinished Pahtodawgyi pagoda known for a crack caused
Two novice monks walking towards unfinished Pahtodawgyi pagoda known for a crack caused by a earthquake in 1839, Mingun, Mandalay, Sagaing Township, Sagaing District, Sagaing Region, Myanmar
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Media ID 20131710
© Jan Miracky / AWL Images
Ancient Monument Asian Ethnicity Boys Buddhist Temple Burma Burmese Crack Cracked Entrance Famous Full Length Historical Place Jan Miracky Male Males Mandalay Min Kun Mingun Mingun Pahtodawgyi Monk Monks Monuments Myanmar Novice Pagoda Pagodas Pahtodawgyi Person Pre Adolescent Child Rear View Religious Place Robe Robes Sagaing District Sagaing Division Sagaing Region Sagaing Township South East Asian Temples Two People Umbrella Umbrellas Walking
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EDITORS COMMENTS
In this photo print, two novice monks gracefully make their way towards the unfinished Pahtodawgyi pagoda in Mingun, Mandalay. The pagoda is renowned for its distinctive crack, caused by a powerful earthquake that shook the region back in 1839. As they walk along the path leading to this historical site, these young boys embody the essence of Asian ethnicity and Buddhism. Dressed in traditional robes and carrying umbrellas to shield themselves from the scorching sun, these monks symbolize serenity and devotion. The ancient monument stands tall behind them, showcasing remarkable architecture that has withstood the test of time. The image captures a moment frozen in history; it transports us to an era where spirituality was deeply embedded within every brick of religious places like this one. With their backs turned towards us, we are left to wonder about their thoughts as they approach this sacred structure. This photograph not only highlights the beauty of Myanmar's Sagaing Region but also serves as a reminder of our connection to past civilizations. It invites us to appreciate both the grandeur of human creations and nature's ability to leave lasting imprints on our world. Jan Miracky skillfully captures this scene with his lens, inviting viewers into a realm where religion meets architectural marvels amidst Southeast Asia's enchanting landscapes.
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