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William Turner Collection (page 2)

1,500 items

Background imageWilliam Turner Collection: Barnard Castle, 1909. Artist: JMW Turner

Barnard Castle, 1909. Artist: JMW Turner
Barnard Castle, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Background imageWilliam Turner Collection: Lausanne, 1909. Artist: JMW Turner

Lausanne, 1909. Artist: JMW Turner
Lausanne, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Background imageWilliam Turner Collection: Edinburgh: From St. Margarets Loch, 1909. Artist: JMW Turner

Edinburgh: From St. Margarets Loch, 1909. Artist: JMW Turner
Edinburgh: From St. Margarets Loch, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Background imageWilliam Turner Collection: Beeston Castle, Cheshire, c1839, (1938). Artist: JMW Turner

Beeston Castle, Cheshire, c1839, (1938). Artist: JMW Turner
Beeston Castle, Cheshire, c1839, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe

Background imageWilliam Turner Collection: Pembroke Castle, Wales, c1829. Artist: JMW Turner

Pembroke Castle, Wales, c1829. Artist: JMW Turner
Pembroke Castle, Wales, c1829. Painting held in The Holburne Museum of Art, Bath. From The Studio Volume 81. [London Offices of the Studio, London, 1921]

Background imageWilliam Turner Collection: Bridge of Sighs, Ducal Palace and Custom-House, Venice: Canaletti Painting, 1833. Artist: JMW Turner

Bridge of Sighs, Ducal Palace and Custom-House, Venice: Canaletti Painting, 1833. Artist: JMW Turner
Bridge of Sighs, Ducal Palace and Custom-House, Venice: Canaletti Painting, 1833. This view of Venice includes the figure of the Venetian artist Antonio Canaletto

Background imageWilliam Turner Collection: The founding of Australia (colour litho)

The founding of Australia (colour litho)
3641997 The founding of Australia (colour litho) by Talmage, Algernon Mayow (1871-1939); Private Collection; (add.info.: The founding of Australia)

Background imageWilliam Turner Collection: High Wycombe from the Marlow Road, c1802, (c1900). Creator: Unknown

High Wycombe from the Marlow Road, c1802, (c1900). Creator: Unknown
High Wycombe from the Marlow Road, c1802, (c1900). Rural scene with cows in the foreground, and the town of High Wycombe in Buckinghamshire in the distance

Background imageWilliam Turner Collection: The Crook of the Lune, 1909. Artist: JMW Turner

The Crook of the Lune, 1909. Artist: JMW Turner
The Crook of the Lune. 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Background imageWilliam Turner Collection: Grenoble Bridge, 1824. Artist: JMW Turner

Grenoble Bridge, 1824. Artist: JMW Turner
Grenoble Bridge, 1824. Painting held at The Baltimore Museum of Art, Baltimore. From The Studio Volume 81. [London Offices of the Studio, London, 1921]

Background imageWilliam Turner Collection: TURNER: FLINT CASTLE. Sunset at Flint Castle, Wales. Oil on canvas by James Mallord William

TURNER: FLINT CASTLE. Sunset at Flint Castle, Wales. Oil on canvas by James Mallord William Turner, c1830

Background imageWilliam Turner Collection: Tonbridge Castle, Kent, c. 1794 (pencil with wash on paper)

Tonbridge Castle, Kent, c. 1794 (pencil with wash on paper)
1146682 Tonbridge Castle, Kent, c.1794 (pencil with wash on paper) by Turner, Joseph Mallord William (1775-1851); 19.8x27.7 cm; Fitzwilliam Museum, University of Cambridge

Background imageWilliam Turner Collection: The Victory Returning from Trafalgar, in Three Positions, ca. 1806. Creator: JMW Turner

The Victory Returning from Trafalgar, in Three Positions, ca. 1806. Creator: JMW Turner
The Victory Returning from Trafalgar, in Three Positions; The " Victory" returning from Trafalgar; The Victory returning from Trafalgar, ca. 1806

Background imageWilliam Turner Collection: On the Lake at Petworth - Evening, 1909. Artist: JMW Turner

On the Lake at Petworth - Evening, 1909. Artist: JMW Turner
On the Lake at Petworth - Evening, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Background imageWilliam Turner Collection: Tells Chapel, Fluelen, 1909. Artist: JMW Turner

Tells Chapel, Fluelen, 1909. Artist: JMW Turner
Tells Chapel, Fluelen, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Background imageWilliam Turner Collection: Bellinzona: From the Road to Locarno, 1909. Artist: JMW Turner

Bellinzona: From the Road to Locarno, 1909. Artist: JMW Turner
Bellinzona: From the Road to Locarno, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Background imageWilliam Turner Collection: Bellinzona: From the South, 1909. Artist: JMW Turner

Bellinzona: From the South, 1909. Artist: JMW Turner
Bellinzona: From the South, 1909. From The Water-colours of J. M. W. Turner, text by W. G. Rawlinson and A. J. Finberg. [Avalon Press, London, 1909]

Background imageWilliam Turner Collection: Ulysses deriding Polyphemus - Homers Odyssey, 1829, (1911). Artist: JMW Turner

Ulysses deriding Polyphemus - Homers Odyssey, 1829, (1911). Artist: JMW Turner
Ulysses deriding Polyphemus - Homers Odyssey, 1829. Painting held in The National Gallery London. From A History of Painting Volume VIII by Haldane MacFall [T. C. and E. C

Background imageWilliam Turner Collection: The Confluence of the Thames and the Medway, c. 1808

The Confluence of the Thames and the Medway, c. 1808
BAL75933 The Confluence of the Thames and the Medway, c.1808 by Turner, Joseph Mallord William (1775-1851); 88.9x119.4 cm; Petworth House, Sussex, UK; English, out of copyright

Background imageWilliam Turner Collection: Florence from near San Miniato, 1828

Florence from near San Miniato, 1828
XCF22596 Florence from near San Miniato, 1828 by Turner, Joseph Mallord William (1775-1851); British Museum, London, UK; English, out of copyright

Background imageWilliam Turner Collection: Newark Abbey Thames Lighter at Teddington Canal Scene with Barges The Lock--Glowing

Newark Abbey Thames Lighter at Teddington Canal Scene with Barges The Lock--Glowing effect of Sunlight. From Lord de Tableys Collection Newark Castle Newwark Abbey on the Vey

Background imageWilliam Turner Collection: Cholmondeley Castle, Cheshire, England. 1880 (engraving)

Cholmondeley Castle, Cheshire, England. 1880 (engraving)
7233419 Cholmondeley Castle, Cheshire, England. 1880 (engraving) by Lydon, Alexander Francis (1836-1917) (after); Private Collection; (add.info.: Cholmondeley Castle, Cheshire, England)

Background imageWilliam Turner Collection: A Mountainous Landscape with a Lake, c. 1820s (w / c)

A Mountainous Landscape with a Lake, c. 1820s (w / c)
CH376187 A Mountainous Landscape with a Lake, c.1820s (w/c) by Turner, Joseph Mallord William (1775-1851); Private Collection; Photo eChristies Images; English, out of copyright

Background imageWilliam Turner Collection: Tent Lodge, by Coniston Water, 1818, (w / c and bodycolour on grey paper)

Tent Lodge, by Coniston Water, 1818, (w / c and bodycolour on grey paper)
FIT58886 Tent Lodge, by Coniston Water, 1818, (w/c and bodycolour on grey paper) by Turner, Joseph Mallord William (1775-1851); 50.1x66 cm; Fitzwilliam Museum, University of Cambridge

Background imageWilliam Turner Collection: Glasgow Tigers speedway team 1999 Ashfield Stadium Team - 1 Mick Powell

Glasgow Tigers speedway team 1999 Ashfield Stadium Team - 1 Mick Powell, 2 William Beveridge, 3 Paul Bentley, 4 Brian Turner, 5 Sean Courtney, 6 Stuart Coleman, 7 Scott Courtney

Background imageWilliam Turner Collection: Keelmen Heaving in Coals by Moonlight, 1835. Artist: JMW Turner

Keelmen Heaving in Coals by Moonlight, 1835. Artist: JMW Turner
Keelmen Heaving in Coals by Moonlight, 1835. The painting is part of the Widener Collection, National Gallery of Art, Washington DC

Background imageWilliam Turner Collection: The Thames near Walton Bridges, 1805, (1938). Artist: JMW Turner

The Thames near Walton Bridges, 1805, (1938). Artist: JMW Turner
The Thames near Walton Bridges, 1805. After an original oil paint on mahogany veneer by Joseph Mallord William Turner (1775-1851). Original housed in the Tate, London

Background imageWilliam Turner Collection: Sheerness as seen from the Nore, 1808. Artist: Turner, Joseph Mallord William (1775-1851)

Sheerness as seen from the Nore, 1808. Artist: Turner, Joseph Mallord William (1775-1851)
Sheerness as seen from the Nore, 1808. Found in the collection of the Museum of Fine Arts, Houston

Background imageWilliam Turner Collection: W Tyzak, Sons, and Turner Ltd. Little London Works, Sheffield, c1930s

W Tyzak, Sons, and Turner Ltd. Little London Works, Sheffield, c1930s
From a trade catalogue, c. 1930s.Original at Local Studies ref. 338.4 SST

Background imageWilliam Turner Collection: Kirkstall Lock on the River Aire, 1827 (engraving)

Kirkstall Lock on the River Aire, 1827 (engraving)
993099 Kirkstall Lock on the River Aire, 1827 (engraving) by Turner, Joseph Mallord William (1775-1851); Leeds Museums and Galleries (Leeds Art Gallery) U.K.; eLeeds Museums and Galleries; English

Background imageWilliam Turner Collection: Winchelsea from the Rye Road, (pencil and watercolour)

Winchelsea from the Rye Road, (pencil and watercolour)
651975 Winchelsea from the Rye Road, (pencil and watercolour) by Turner, Joseph Mallord William (1775-1851); 12.7x19.9 cm; Private Collection; (add.info.: Winchelsea from the Rye Road)

Background imageWilliam Turner Collection: The Landing of William of Orange at Torbay, 1688 (colour litho)

The Landing of William of Orange at Torbay, 1688 (colour litho)
STC373303 The Landing of William of Orange at Torbay, 1688 (colour litho) by Turner, Joseph Mallord William (1775-1851) (after); Private Collection; (add.info.: William of Orange (1650-1702)

Background imageWilliam Turner Collection: Oxford from Hinksey Hill

Oxford from Hinksey Hill
AGN49558 Oxford from Hinksey Hill by Turner, William (Turner of Oxford) (1789-1862); Private Collection; Photo eAgnew s, London; English, out of copyright

Background imageWilliam Turner Collection: Crossing Lancaster Sands (engraving)

Crossing Lancaster Sands (engraving)
1106182 Crossing Lancaster Sands (engraving) by Turner, Joseph Mallord William (1775-1851) (after); Private Collection; (add.info.: Crossing Lancaster Sands)

Background imageWilliam Turner Collection: Holy Island, Northumberland, c. 1820 (oil on canvas)

Holy Island, Northumberland, c. 1820 (oil on canvas)
SC14476 Holy Island, Northumberland, c.1820 (oil on canvas) by Turner, Joseph Mallord William (1775-1851); Victoria & Albert Museum, London, UK; English, out of copyright

Background imageWilliam Turner Collection: Corpus Christi College, Oxford, (pencil and watercolour)

Corpus Christi College, Oxford, (pencil and watercolour)
824154 Corpus Christi College, Oxford, (pencil and watercolour) by Turner, William (Turner of Oxford) (1789-1862); 22.3x33.4 cm; Private Collection; (add.info.: Corpus Christi College, Oxford)

Background imageWilliam Turner Collection: Combe Martin, Devonshire, c. 1824 (watercolour over graphite with pen and black ink)

Combe Martin, Devonshire, c. 1824 (watercolour over graphite with pen and black ink)
1217269 Combe Martin, Devonshire, c.1824 (watercolour over graphite with pen and black ink) by Turner, Joseph Mallord William (1775-1851); 14.6x23.2 cm; Ashmolean Museum, University of Oxford

Background imageWilliam Turner Collection: Tummel Bridge, Perthshire, between 1802 and 1803. Creator: JMW Turner

Tummel Bridge, Perthshire, between 1802 and 1803. Creator: JMW Turner
Tummel Bridge, Perthshire; Dummel Bridge; Dummel Bridge, Fifeshire, Painted in 1812; Highland Bridge, between 1802 and 1803

Background imageWilliam Turner Collection: Ilfracomb, North Devon, c1818. Creator: William Bernard Cooke

Ilfracomb, North Devon, c1818. Creator: William Bernard Cooke
Ilfracomb, North Devon, c1818. Engraving after Ilfracombe, North Devon: Storm and Shipwreck, painting by JMW Turner, c1813-1816

Background imageWilliam Turner Collection: Portrait of JMW Turner, c1827 (1904). Artist: Charles Turner

Portrait of JMW Turner, c1827 (1904). Artist: Charles Turner
Portrait of JMW Turner, c1827 (1904). A portrait of English landscape painter Joseph Mallord William Turner (1775-1851) at the age of 25

Background imageWilliam Turner Collection: A Marine Study, c1830, (1906-7). Artist: JMW Turner

A Marine Study, c1830, (1906-7). Artist: JMW Turner
A Marine Study, c1830. A marine study in chalk, ink wash and pen and ink. From The Studio Volume 39 [London Offices of the Studio, London, 1906-7.]

Background imageWilliam Turner Collection: Ulysses deriding Polyphemus, 1829. Artist: Turner, Joseph Mallord William (1775-1851)

Ulysses deriding Polyphemus, 1829. Artist: Turner, Joseph Mallord William (1775-1851)
Ulysses deriding Polyphemus, 1829. Found in the collection of the National Gallery, London

Background imageWilliam Turner Collection: Richmond, Yorkshire (w / c on paper)

Richmond, Yorkshire (w / c on paper)
BAL40132 Richmond, Yorkshire (w/c on paper) by Turner, Joseph Mallord William (1775-1851); Victoria & Albert Museum, London, UK; English, out of copyright

Background imageWilliam Turner Collection: Joseph Mallord William Turner, engraved by W. J. Linton, c. 1837 (engraving)

Joseph Mallord William Turner, engraved by W. J. Linton, c. 1837 (engraving)
XJF384081 Joseph Mallord William Turner, engraved by W.J. Linton, c.1837 (engraving) by Gilbert, John (1817-97) (after); Private Collection; (add.info)

Background imageWilliam Turner Collection: J. M. W. Turner (1775-1851) at the Royal Academy, Varnishing Day (oil on canvas)

J. M. W. Turner (1775-1851) at the Royal Academy, Varnishing Day (oil on canvas)
XCF22485 J. M. W.Turner (1775-1851) at the Royal Academy, Varnishing Day (oil on canvas) by Parrott, William (1813-69); The Collection of the Guild of St

Background imageWilliam Turner Collection: Plymouth Dock from Mount Edgecombe, from Cookes Picturesque Views of the

Plymouth Dock from Mount Edgecombe, from Cookes Picturesque Views of the
XYC213888 Plymouth Dock from Mount Edgecombe, from Cookes Picturesque Views of the Southern Coast of England engraved by William Bernard Cooke (1778-1855) 1814-26 (etching) by Turner

Background imageWilliam Turner Collection: River bank, c. 1830 (w / c on paper)

River bank, c. 1830 (w / c on paper)
XIR360257 River bank, c.1830 (w/c on paper) by Turner, Joseph Mallord William (1775-1851); British Museum, London, UK; (add.info.: Bords de riviere; ); English, out of copyright

Background imageWilliam Turner Collection: Corsica, (Monaco?) c. 1830-35 (w / c on brown paper)

Corsica, (Monaco?) c. 1830-35 (w / c on brown paper)
XYC203476 Corsica, (Monaco?) c.1830-35 (w/c on brown paper) by Turner, Joseph Mallord William (1775-1851); 13.8x18.9 cm; Yale Center for British Art, Paul Mellon Collection, USA; English



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